Drawing Tutorial – 5 Ways to Generate Likeness in Caricatures

I happened to look at some caricatures today. These caricatures were executed with a high degree of finesse, and the technique used was perfect. However, something was amiss. The caricatures didn’t “belong” to the personality that was caricatured. The artist, I am sure, believed that he was caricaturing that specific celebrity, and through the eyes of his mind, he saw the face of that celebrity morph into that caricature; yet, if you looked at the caricature – even after knowing whose it was – you couldn’t see the likeness.

Likeness is possibly the most important yet the oft-ignored characteristic of a caricature.

“A Caricature is a humorous likeness of a person, created through selective exaggeration of his/her physiognomy (facial features) and other physical attributes.”
 Source: Evolution of a Caricaturist – How to Draw Caricatures (Chapter 1)

Note that likeness is important. Without likeness, the caricature doesn’t belong to “a person”; without likeness, the caricature might as well be a cartoon.

Likeness isn’t easy to achieve, especially in caricatures, because you go about distorting the person’s features, and with every little distortion, some likeness is lost – unless the distortion is done selectively.

Here are a few pointers that may come in handy for generating likeness:

1. Before you begin a caricature, remind yourself that likeness is primarily based on the structure of the face. Great technique could change your caricature into a masterpiece, provided you had built in the likeness when you were sketching it. No technique can compensate for the lack of likeness.
2. Remember that you don’t have to exaggerate everything. Recall the Gestalt theory of Figure and Ground. It applies to faces too. In every face, some features stand out; others recede.
   • Barack Obama’s ears stick out,
   • Rowan Atkinson’s eyes look like saucers, and
   • Julia Robert’s teeth dazzle you.

   In every face, there are features that standout – that make that face the face it is. Identify such elements and focus on them for exaggeration. Try to limit the number of features you exaggerate to 4. It should help.

3. According to the Geon Theory by Dr. Biederman, “we recognize faces (and other objects in our environment) by breaking them (figuratively speaking) into geometric elements.” So, focus on the shapes of the characteristic features. Is Morgan Freeman’s nose spherical, are Rowan Atkinson’s eyes elliptical? Exaggerate not just the size, but also the shape. Don’t meddle with the eyes. Repeat. Don’t meddle with the eyes – unless:
1. you think that the eyes are extremely important (figure?) or
2. you believe that you can really caricature them without letting them lose their character.
4. Remember that it’s easier to learn the sum of all the art-techniques, than to learn how to draw the eyes with true likeness, let alone exaggerate them. In most cases, if you don’t exaggerate the eyes and instead you draw them with complete fidelity; irrespective of what you do with the other features, your caricature will maintain the likeness.
5. Let someone else look at your drawing, before you shade it in or color it. This might save you a lot of heartache later. It’s good to remember that all caricaturists go wrong sometime or the other…but if you get another “brave” opinion from someone who doesn’t really care a lot about how he’d (or she’d) end up in your bad books by criticizing, you could end up being the caricaturist who seldom goes wrong

I hope this helps all those fabulous artists out there, who make beautiful portraits and who have great technique, but who wonder why likeness eludes their caricatures.

 

100000 Views :-) Crossing the Sound Barrier with a resounding Thank You!

Dear Visitors,

Your favorite caricature blog (ahem!) crossed the 100000 views milestone sometime last night. I am also happy to tell you that this post is my 200th post since this blog came into existence in December 2009.

I want to say that I enjoyed playing the blogging game, but I am also enjoying the score:) As Karma says, “Winning is as good as digging!”

100000 Views - Whats the big deal? Ask the Human.

I love the purity of numbers. If there were no numbers, we’d still be living without electricity, airplanes; we’d be living without the Internet! Can you imagine that?!

The 0s and the 1s – they are the fundamental building blocks of everything in this virtual world, and the number that’s my immediate favorite is made of 0s and 1s too

In my previous post “A Note of Thanks”, I thanked all those who made me smile during these 16 blogging months. In this post, I’d like to thank those who made it possible for me to blog. I’d like to thank the WordPress team for creating this fabulous blogging software and the Google Knol team for establishing the Knol platform, without which I couldn’t have written and published my book “How to Draw Caricatures – Evolution of a Caricaturist“, which has received about 40,000 views since I began writing it.

It’s customary to recount some interesting details of your journey, when such milestones are reached…so here’s the briefest of all summaries.

I’d like to say that though I was rather short of time this whole year, and I couldn’t really create as many caricatures as I’d have liked to, let alone visit other blogs; still there were some nice people who visited my blog. I also received a few nice emails and some heartening comments that kept me going. Thanks everyone (sniffle!)

That’s all for now…until I post the caricature of…the Hollywood Dracula:)

Wishing everyone the best of everything!

Regards,

Shafali

 

A Personal Post – More Caricatures and Some Plans.

Very Important Note!

This post will not interest the occasional visitor who is here looking for “Sachin with Ball(?) like the World Cup“, “Lady Gaga’s implants“, “Oozzie“, “hitler was a paid hollywood actor in real life“, “the divinci guy“, or
“mafia cartoon mouse“! If you are looking for something specific, use the search button on the right sidebar, or visit the gallery.

This post will also not interest the visitors, who are here looking for “funny sex caricatures” or who wish to figure out “how to draw a wine glass“. In fact, there’s nothing on this blog that’ll help you with what you need. The closest that I’ve ever got to drawing a funny caricature of the kind you’d like, is Pamela Anderson’s caricature here.

And finally, if you are here looking for “posthumously famous artists“, visit in another three-decades By that time I should most definitely be dead and thus, famous!

Now, having put you all on the right track, I return to my post.

The Upcoming Caricatures

The upcoming caricatures are:

• the surreal artist who created surreal artwork,
• the dracula who loved being dead, and
• the little great HP!

The New Caricature Hitlist

I am also in the process of preparing my new hi5 hitlist. All spaces are currently vacant! I am looking for suitable candidates to fill the positions and your recommendations are welcome.

The Story-in-the-Caricature Blog Carnival

I have plans of bringing the Story in the Caricature Blog Carnival back. The caricature for the April Carnival is almost ready – and it will be up soon:)

Another Book?!!

I am thinking of writing another book…a smaller one, perhaps, which addresses the problem areas in drawing portraits, caricatures, and cartoons. If you are an artist – write to me about what you’d see included in it:)
(Read “Evolution of a Caricaturist – A book on How to Draw Caricatures” here.)

Guess that’s all. Soon I shall return with a brand-new caricature!

 

The Final Chapter of the Book “The Evolution of a Caricaturist” has been Written!

Hello Readers and Visitors,

I’ve posted the final chapter of the book, “The Evolution of a Caricaturist“. This chapter is titled, “The Final Note – Weaving a Story around your Caricature,” and it’s about increasing the “stickiness” of your caricature by adding a visual story to it.

With this chapter, the book ends on Knol. As I mentioned earlier, I would love to get it published through the print route and I’ve been trying to figure out how. I’ve been weighing the option of self-publishing but I am not sure if I should go for it…especially as there’ve been a couple of inquiries from some cybernetic well-wishers. I’m going to swim along with the current and so if you want to send any inquiries/information, or even good wishes my way – you are welcome!

I have plans of including a lot of other stuff in the printed/formally published version, but I believe that if you want to truly develop the ability to caricature, the online version of it should be sufficient to put you on the fast track.

Here is the Table of Contents.

The Evolution of a Caricaturist

• Chapter 1 – How to Draw Caricatures – Getting Down to the Basics
• Chapter 2 – Why Caricaturists Love Celebrities?
• Chapter 3 – The Human Face – Observing it from the Caricaturist’s Perspective
  
• Chapter 4 – The Psychology of Face Recognition – The Caricaturist’s Secret Weapon!
• Chapter 5 – Caricaturing the Shape of the Face
• Chapter 6 – Caricaturing the Eyes
• Chapter 7 – Caricaturing the Brows and the Brow-ridge
• Chapter 8 – Caricaturing the Lips and the Mouth
• Chapter 9 – Caricaturing the Forehead, the Hairline, and the Hair
• Chapter 10 – Caricaturing the Ears
• Chapter 11 – Caricaturing the Nose
• Chapter 12 – The Final Note – Weaving a Story around your Caricature!

With this chapter, one of my projects come to an end. I had hoped to complete it last year, but with food-on-the-table work occupying about 90% of my waking moments, I just didn’t find the time. I hope that the regular readers of this book will forgive this lapse and enjoy the final chapter

A Request:

If you’ve read this book, I’d like to ask you what you’d like to see included in its printed version. Please send me an email at my email id, which is DrawToSmile[at]gmail[dot]com.

And a Note of Thanks too

The book “The Evolution of a Caricaturist” was visited more than 30,000 times in 2010. Some readers left comments, some sent me emails, and a few sent me the caricatures that they had drawn using the methods that were discussed in the book.

I would like to thank you all – for your visits, your comments, your emails, and your drawings. You were there watching me. Whenever I felt tired and wanted to give up, you did something to inspire me. You don’t remember it – but you were there, telling me that if I wrote another chapter it’ll help you DRAW TO SMILE

So…

A BIG THANK YOU!

 

Art Philosophy – The 4 Types of Artists – Classification and Explanation

Once again, a personal post for friends old and new. Others who’ve reached this blog through searches/recommendations might be more interested in the Caricatures Gallery, the Story-in-the-Caricature Blog Carnival, or the book “How to Draw Caricatures – The Evolution of a Caricaturist.”  You are welcome to click the respective links and explore the site. You are also welcome to read this post, if  you have the patience:)

On December 11 2010, this blog completed its first year, and the funny part of the whole deal was that I forgot, and I didn’t make a post. Now if this isn’t a sure sign of dementia setting in – what is? But seriously, I am bad with remembering dates. I don’t know when but somewhere in my journey of art, I learned to present my forgetfulness as a trait common in artists. I realized that people suddenly became more forgiving when they realized that I could draw and paint too. Guess they thought to themselves – we’ve got to carry those artist types around – because who knows one of them might turn out to be a Da Vinci, a Van Gogh, or a Picasso!

Personally, I’d want to be Da Vinci or die unknown. (If I sound like I am suffering from megalomania, please put it down to my being an artist.)

But…am I really an artist?
I mean what makes you an artist?
And…if you are an artist what kind of artist are you?!

Well. There are the following types of artists (and I speak of artists not artistes!)

1. The Starving Struggling Artist
2. The Made-in-his-Lifetime Artist
3. The Posthumously Great Artist
4. The Richie Rich Artist

The Starving Struggling Artist or the SS Artist!

This is the most commonly found species of artists in the world. The Starving Struggling Artist is characterized by his impractical dream of making it big without paying attention to the theory of probability (which obviously he can’t as he’s shied away from Mathematics and Logic all his life.)  I ask the left-brained readers, if about 100 artists have made it big from a pool of 500 million (approximately) what is the chance of a random artist making it big? What would your answer be? Come on. Be honest. Tell us.

In my opinion, this kind of artist is worse-off than the unfortunates who walked the streets of London during the time of Jack the Ripper!

The Made-in-his-Lifetime Artist or the ML Artist

This artist is that 1-in-5 Million artist who we talked about earlier. The Made in his Lifetime artist is either smart enough to know what’d really catch the fancy of the buyers or who is lucky enough to display the right thing at the right place at the right time to the right audience. Note that you seldom come across this kind of artist. They are conspicuous by their near-absence.

The Posthumously Great Artist or the PG Artist

You know this kind – don’t you? The best example of course is Van Gogh. Remember that he was once a Starving Struggling Artist who went crazy and chopped off his own ear. Van Gogh created work that Da Vinci wouldn’t have allowed in his studio – yet after his death, he managed to become famous! Now to be a Posthumously Great Artist you need to be able to pull some strings up there. It’s my belief that most of the Starving Struggling Variety of artists have a pure heart and so they end up in heaven – but I also think that up there, they continue being their non-diplomatic selves lost in their own dreams of making it big in their next life – and so they don’t pull the right strings. Hence they don’t become posthumously famous. The point to note it – if the artist has a family and a couple of good-for-nothings, then such posthumous fame can come in handy…otherwise, it’s all wasted effort!

The Richie Rich Artist or the RR Artist

When you are born with either a silver spoon in your mouth or a strong social network through your parents’/spouses’ connections, then you are a Richie Rich artist. Then you don’t really need talent to become famous. Such people become artists because they’ve got to do something with their time – and there’s really nothing that they “need” to do. You can teach your dog to pick up the brush and color the canvas – and you’d have a masterpiece selling for a million dollars! Then of course, you can take the limelight away from your dog and bask in it, as you pose in front of the canvas. This of course is a very common way of achieving some degree of fame, which isn’t all that bad – right?

So am I an artist?
I don’t fit into any of the above – and so I am not an artist. But the good news is, there’s no law against people calling themselves artists, and there’s no law against blowing your own trumpet (whatever that means) – and so…even though I may not be a starving struggler, an unbelievably lucky person, a dead artist with god on her side, or even a well-connected rich kid – I still have the right to say that I am an artist.

And being what I am, one day I might wake up and exercise that right – just like that…and again put my quirkiness down to my being artist!

The Megalomaniac speaks again…
If you can determine where I contradicted myself, you’ve won yourself an opportunity to write a guest post on my blog:-)

 

Coming up…Caricatures of Oprah Winfrey, Angelina Jolie, and Sachin Tendulkar!

Caricatures almost ready to roll off the line…

• Oprah Winfrey (World’s only true Black Billionaire and the Famous Talk Show Host, who went to the doctor and complained of pain in her earlobes, which mysteriously vanished the moment she removed her emerald earrings, )
• Angelina Jolie (The Hollywood Actress who boycotted Thanksgiving for reasons given here,) and
• Sachin Tendulkar (One of the greatest batsmen in the World Cricket History, who holds world records in a whole lot of categories, both in test matches as wells as ODIs (One Day Internationals))!

Until then, then:)

While I help my caricatures dress up, you might want to do one or more or all of the following.

• Visit the Caricature Gallery here.
• Download a few Celebrity Calendars for 2010 (sigh!) here.
• Learn how to draw caricatures by reading “The Evolution of a Caricaturist” here.
• Write a story for the November 2010 Blog Carnival “Tell-the-Story-in-the-Caricature” and post the link of your fine story here:)

That should keep you busy until I return!

 

 

 

 

Chapter 11 – Caricaturing the Nose – Published!

Hello Friends,

I am pleased to present the 11th chapter “Caricaturing the Nose” of “How to Draw Caricatures – The Evolution of a Caricaturist“. This chapter focuses on the human nose, which for a caricaturist, is the most interesting feature of the human face.  This chapter has been posted after a hiatus – a break of about 2.5 months, which I believe is a long wait for a sincere reader. I apologize to my readers.

I should also tell you that the book is now about to end – at least on the Knol.  A more detailed and slightly expanded version of the book will become available in the market soon. Nevertheless, I am striving to include all the essentials in this book – so we would be seeing at least one more chapter before I write its conclusion.

Here’s a list of all the chapters in the book so far.

The Evolution of a Caricaturist

• Chapter 1 – How to Draw Caricatures – Getting Down to the Basics
• Chapter 2 – Why Caricaturists Love Celebrities?
• Chapter 3 – The Human Face – Observing it from the Caricaturist’s Perspective
  
• Chapter 4 – The Psychology of Face Recognition – The Caricaturist’s Secret Weapon!
• Chapter 5 – Caricaturing the Shape of the Face
• Chapter 6 – Caricaturing the Eyes
• Chapter 7 – Caricaturing the Brows and the Brow-ridge
• Chapter 8 – Caricaturing the Lips and the Mouth
• Chapter 9 – Caricaturing the Forehead, the Hairline, and the Hair
• Chapter 10 – Caricaturing the Ears
• Chapter 11 – Caricaturing the Nose

I hope you find this book useful.

All the Best and Thank You!

And remember…you should…

DRAW to SMILE!

 

Learning to Draw Caricatures – 5 Important Tips for New Caricature Artists

If you are a budding caricaturist, here are a few tips to help you reduce the gradient of your learning curve.

1. Find at least half-a-dozen pictures of the subject (the person you want to caricature.)
2. Study the features of the subject carefully and try to identify the deviations from the normal.
3. Remember that the deviations could be in size, shape (form), or both, so look for such deviations.
4. Don’t ever kill the look in those eyes!
5. Play a Secret Game – When you look at people, see their Caricatures!

So what do these tips mean? Let’s find out.

1. Find at least half-a-dozen pictures of the subject (the person you want to caricature.)

This is important. A caricaturist can’t work with just one picture, while a portrait artist often can. The reason why portraiture is easier is because it involves copying the subject’s features – if an artist can copy the features exactly, likeness is automatically assured. However, a caricature artist needs go further and achieve the twin objectives of:

• exaggeration
• likeness

Thus, a caricaturist needs to begin by first studying the subject’s features from different angles, and in different light conditions. If the subject of your caricature is a performer, there’s a good chance that his or her face is made to look different through makeup and at times even through the use of certain props. All this would make it difficult for you to figure out the exact shape and size of the facial features, if you studied only one picture…so find as many as you can, and lose yourself into those lines and creases!

2. Study the features of the subject carefully and try to identify the deviations from the normal.

While a portrait artist lives on his ability to reproduce the facial features faithfully, a caricaturist thrives on his capability to exaggerate the deviations from the normal. If we all were given a standard set of features by our maker, caricaturists wouldn’t exist. We exist because we have a keen perception, using which we can determine those facial features that:

• make a face unique
• deviate considerably from the ideal face.

3. Remember that the deviations could be in size, shape (form), or both, so look for such deviations.

Select the top two or three features that deviate most from their normal size/appearance. Close your eyes and try to visualize the following faces – then note down 2-3 features which you’d like to exaggerate in their faces:

• Abraham (Abe) Lincoln
• Morgan Freeman
• Michelle Obama
• Tom Hanks

Done?

Now view their caricatures here. What’s been exaggerated? Do you think that the exaggerated features match the list of the features that you’ve created?
Note how the noses of Morgan Freeman and Tom Hanks, and the Hair of Abe Lincoln and Michelle Obama have been exaggerated not only in size buy also in shape!

4. Don’t ever kill the look in those eyes!

I’ve seen a lot of caricaturists create excellent caricatures with beautifully crafted and realistically painted features – but with eyes that see nothing, say nothing, and do nothing! Eyes are the windows into a person’s soul…don’t shut that window. Never exaggerate the eyes to the point when they begin to look unreal. Don’t exaggerate the eyes unless you really have to – unless you are really confident of your ability to retain the expression while you manipulate them.

5. Play a Secret Game – When you look at people, see their Caricatures!

I don’t want to explain it because people might stop wanting to meet me – but if you want to be good at the art of drawing caricatures, you really need to transform your eyes into that magic-prism!

And of course, if you are interested in learning how to draw caricatures, I’d recommend “How to Draw Caricatures – Evolution of a Caricaturist” – for two reasons:

1. It’s free (so far)!
2. It simplifies caricature-drawing and presents it in the form of a process, which if followed, could help you learn and master caricature-drawing in a very short time.

So, if you’ve got your sketchbook and your pencils ready, what are you waiting for?

DRAW to SMILE!

 

Licensing Caricatures, Free Book, and Some Straight Talk!

Every once in a while, I feel like slowing down, taking stock, and talking:) This is one of those once-in-a-whiles.

The Beginnings of this Caricature Blog

I started this blog about 9 months ago – hoping that it would help me smile.  I began my art-journey as a traditional portrait artist, then I freelanced with a book publisher,  and then I did some work in the fantasy art genre for a couple of American RPG publishers – so there was a time when I managed to sell some stray bits of art,  but that was a long time ago – and it isn’t something that I truly relished.  The only good part was that I never had to do what makes every artist, every writer cringe – I wasn’t ever asked to do rework , except once – when after a couple of non-productive rework rounds, I chose to give up. Then for many years I decided not to publish my art – there was a phase when I’d refuse work, when I stripped away all my artwork from the web – in a nutshell, when I decided to give up.

Drawing is my Passion NOT my Profession!

I’d still draw almost every day – but I drew because I couldn’t stop myself from picking up a pencil (I have a couple of hundreds of those), until one cold December morning, when I saw this funny man in the newspaper. I dropped my comb and I sketched his caricature, which became the first caricature on this blog.  Creating caricatures for this blog has been fun, mainly because I don’t have to work with time-lines, and also because I can draw whoever I want to.  If I don’t want to draw someone, I just won’t draw him or her – and if I want to, it doesn’t matter whether that person is not a very popular guy. In art, I don’t like to do things that I am asked to do – I prefer to do what I want to. I don’t like to ask people to do things for me for FREE, because I value their independence and their time, and I expect them to value mine.

Do you Want to License my Caricatures for Commercial Use?

I’d like to say that with the growing popularity of your favorite blog, I am beginning to receive requests for free and paid work. I think I am doing enough for free (all the caricatures that appear on this blog are free for people to use in their non-commercial products, and the caricature book too is free, if you want to read it online.) If you want to make a few thousand copies of my caricatures and use them in your “commercial applications” they aren’t free at all. I’d also like to make a recommendation to the serious, well-intentioned people who wish to use the caricatures from this blog commercially, to be upfront about their organization, their intention – and if possible, NOT consider me their “vendor” even before I’ve reviewed their requirement. Be nice if you want to be treated nicely – Drawing is my love, not my profession. If you aren’t happy introducing yourself, you should find other artists – and sadly there’s a glut of out-of-work artists in this part of the world!

This may sound arrogant, but I can’t stop myself from writing this. I never thought to write it earlier but recently my mail-box isn’t entirely happy with the kind of emails that find their way there.

Sharing What I know for those who “Genuinely” want to Learn – My FREE Online Book – “How to Draw Caricatures – The Evolution of a Caricaturist”

Sometime  in January 2010, I also started writing “The Evolution of a Caricaturist” – A Book on How to Draw Caricatures. This book is almost complete with 10 out of its 14 chapters online. I’ve received some good feedback on this book and I have received an unofficial offer for its publication. I am still reflecting on how I should go ahead with it – but the fact that the 10 chapters that are currently online for this book have garnered about 22000 views so far (Don’t go by the numbers they show there – Knols have a funny way of updating data), tells me that there are people out there who are finding it useful. A big Thank You to all the readers of this book:) I promise to complete it very soon:)

 

How to Draw the Caricature of Lady Gaga & The Story of Bad Romance!

Lady Gaga (yes the very same lady who’s entangled in a Bad Romance) is an extremely interesting and an unbelievably creative person.

She is a magician, a dress designer, a hairdresser, a lyricist…and of course, she is a woman trying hard to prove that she’s indeed one. If you ask me, she is one of those amazingly talented control-freaks who don’t even want to leave their caricatures to chance – they want to do them themselves! (Remember Ozzy Osbourne?)

Anyone who’s ever looked at Lady Gaga would know that there’s no caricaturist in the world who could do a better job of caricaturing her, than the lady herself. However, I made the attempt, and now I am here to discuss how you too can draw Lady Gaga’s caricature. (And no – you don’t stop at making her portrait!)

Here’s the caricature under discussion.

Lady Gaga and the Spider Colony!

Caricaturing the Eyes of Lady Gaga:

Lady Gaga’s eyes are characterized by the kohl she puts around them! You’ve got to load her eyelids and eyelashes with black paint to get the look right. Also stretch those eyelashes to exaggerate them. Don’t change the basic almond shape of her eyes.

Read about “Caricaturing the Eyes” here.

Caricaturing the Lips of Lady Gaga:

Lady Gaga has thicker than usual lips (which go well with her slightly heavy yet chubby face.) Note that I’ve drawn her with an open mouth, which helps you see her teeth. Her teeth are slightly crooked and I’ve maintained that lack of symmetry in the drawing.

Read about “Caricaturing the Lips and the Mouth” here.

(If I were drawing the caricature of a man, I’d treat the teeth differently (they’d be exaggerated to add more humor to the treatment.) However, while drawing the caricatures of women – ensure that their caricatures continue to look pretty:-))

Caricaturing the Hair of Lady Gaga:

Ah! This is where I had to compete with Ms. Gaga herself. I selected what I call her “Candy Floss with Noodles” hairstyle. The size of her coiffure was big enough but I did exaggerate it a bit. The cobwebs were added for the storyline.

(Read about “Caricaturing the Forehead, the Hairline, and the Hair” here.)
Storyline?
Well. Since Ms. Gaga had done a great job of caricaturing herself, I had to go do something extra to exaggerate her hairstyle, and so I thought of the spiders and the cobwebs. Whenever Lady Gaga discards a wig, the space on the wig is auctioned away to the spiders that want to move in to this “premium” location!

Well…
So in came the spiders and their webs, and of course the decorations added by the property dealers along with the prize car!

And Ms. Gaga was decked up and ready to give the other singers a run for their money!

And yes, if you want to learn how to draw caricatures, you should check out “How to Draw Caricatures – And Evolution of a Caricaturist.”

Before I wave goodbye, here’s an interesting bit about her current hit “Bad Romance”.

The Theme of Bad Romance by Lady Gaga – A Verbal Caricature:

Bad Romance is a bad-bad song that begins with the abduction of Lady Gaga by some super-models. These super-models, who probably are about to slide into middle age and hence into oblivion, dream up a new way to make money. They kidnap Lady Gaga, bathe her in a white bathtub, and then in her inebriated condition attempt to auction her off to the Russian Mafia. (Note the Russian connection in all such deals, and also note the marked absence of the Italian Mafia from this whole show.)

While the Russian men sit around with their electronic bidding machines, Lady Gaga seductively walks towards them and then selects the one with a golden chin guard (guess he wore it because he expected Lady Gaga to slap him) to do a provocative lap-dance for him. Now this all is hogwash, because after he becomes the highest bidder, she roasts him alive by activating her pyrotechnic bra. The point to be noted here is the Lady Gaga remains unscathed…and probably vanishes with the auction money, and shares the booty with the models who had kidnapped her…because it was all staged!

But that part wasn’t there in the video that I watched, and so I believe that the video was edited!  If anyone has access to the unedited video of the song Bad Romance , please let me know, because I am dying to hear the end of the story.

BTW, I wonder if the Russian Men would have bid at all if she had worn her meat dress to the auction?
(Lady Gaga’s Meat Dress.)

 

Who Next? Caricatures/Cartoons from Hollywood, Hard Rock, or International Politics?

Hi Visitors,

About the Upcoming Caricatures:

In what order would you like to see the following three personalities appear on your favorite caricature blog?

1. Edward Norton the Hollywood Actor
2. Ozzy Osbourne of the English heavy metal band Black Sabbath
3. David Cameron the current British Prime Minister

Please write the order of your preference in the comments section – popular demand will lead the way:)

About the Storytelling Carnival:

And yes, while you are here…do visit the “Story-in-the-Caricature Blog Carnival.“

(Do you know that most writers are discovered by chance? Take your chance now – and rediscover yourself.)

Have fun…

About the Caricature Drawing Tutorial Book:

and yes, learn how you can DRAW TO SMILE!

 

Chapter 10 – How to Draw Caricatures – Caricaturing the Ears- Published!

Dear Readers,

The 10th Chapter of the Free Online Caricature Drawing Book,  “How to Draw Caricatures – The Evolution of a Caricaturist” is online now. The book is almost complete. We will be discussing the most important feature (the Nose, what else?) in the 11th chapter. The book is going to have 14 chapters, in all.

This chapter, “Chapter 10 – Caricaturing the Ears” begins by classifying the human ear on the basis of its size, angle, and shape. It then discusses the structure of the human ear from the caricaturist’s viewpoint, enabling you to become comfortable not just with caricaturing the ear, but also drawing it without exaggeration. Finally, the chapter uses two examples to illustrates how the human ear can be caricatured.

If this is the first time that you’ve come across this book, the following links will help you explore it chronologically.

The Evolution of a Caricaturist

• Chapter 1 – How to Draw Caricatures – Getting Down to the Basics
• Chapter 2 – Why Caricaturists Love Celebrities?
• Chapter 3 – The Human Face – Observing it from the Caricaturist’s Perspective
  
• Chapter 4 – The Psychology of Face Recognition – The Caricaturist’s Secret Weapon!
• Chapter 5 – Caricaturing the Shape of the Face
• Chapter 6 – Caricaturing the Eyes
• Chapter 7 – Caricaturing the Brows and the Brow-ridge
• Chapter 8 – Caricaturing the Lips and the Mouth
• Chapter 9 – Caricaturing the Forehead, the Hairline, and the Hair
• Chapter 10 – Caricaturing the Ears

The readership of this book is growing and I am glad that it’s being received well by the young artists who want to venture into this somewhat mysterious field of caricature-drawing.

I’d like to end this note by saying that if you are a regular reader of this book, comment on it and let me know if there’s anything else that you’d like to see in it. I hope to complete the book sometime early next month…this is the time to tell me if you’d like an additional chapter or two, on something that could make this book more useful to you:)

And now, Find a pencil and a paper – and

D R A W      T O      S M I L E   !

- Shafali

 

Chapter 9 – How to Draw Caricatures – Caricaturing the Forehead, the Hairline, and the Hair – Published.

Some of my readers are closely following the evolution of my Free Online book “How to Draw Caricatures – The Evolution of a Caricaturist”. They would be happy to know that the next chapter of this book, “Chapter 9 – Caricaturing the Forehead, the Hairline, and the Hair” went online today.

This chapter discusses the different types of foreheads, hairline, and hair (or the absence of it.) It also enables you to identify the elements that should be exaggerated in this higher (hairier?) arena of the human anatomy.

If this book is new to you, the following links could help you explore it.

The Evolution of a Caricaturist

• Chapter 1 – How to Draw Caricatures – Getting Down to the Basics
• Chapter 2 – Why Caricaturists Love Celebrities?
• Chapter 3 – The Human Face – Observing it from the Caricaturist’s Perspective
  
• Chapter 4 – The Psychology of Face Recognition – The Caricaturist’s Secret Weapon!
• Chapter 5 – Caricaturing the Shape of the Face
• Chapter 6 – Caricaturing the Eyes
• Chapter 7 – Caricaturing the Brows and the Brow-ridge
• Chapter 8 – Caricaturing the Lips and the Mouth
• Chapter 9 – Caricaturing the Forehead, the Hairline, and the Hair

This book has been witnessing a growth in its readership. With more than 10,000 views for a topic of such selective interest, I couldn’t have asked for more:) Thanks!

I hope to soon post Ben Kingsley’s Caricature in his avatar of Gandhi:) And the “soon” could be as early as tomorrow morning. I’ve also created a very interesting caricature that you might want to write a story about…

- Shafali

 

How to Draw the Caricature of Dr. Albert Einstein – the Greatest Scientist of the Twentieth Century

Dr. Albert Einstein’s caricature is among the easiest to draw. He has features that hanker for the caricaturist’s eyeballs. His hair, his nose, and his quirked-up eyebrows that push the skin of his forehead into those innumerable furrows and lines – all demand your attention. They leap out of his face and grab hold of your hand to make you draw them!

Why? I wonder.

Excellent. So his face isn’t like Jack Nicholson’s (with a signboard that says, “everything you see, you can caricature for 99 cents”,) nor is it like George Clooney’s (a treasure hunt in a Martian desert.) Einstein’s face is somewhere between that of these two. It tempts you to fetch your pencil and your drawing pad as the three prominent features in his face are really, madly prominent!

I discussed the folly of trying to caricature “everything” in the previous tutorial, “How to Draw the Caricature of Jack Nicholson – The Wolf.” Listening to my own advice (yes, unlike many, I trust my own advice,) I decided to exaggerate the following features.

• The Hair
• The forehead with one brow quirked-up
• The Nose

The first step in creating any drawing is to…begin, and so I began. When I draw faces, I draw the eyes first, and those eyes watch me draw. This can be an especially unnerving experience when the person watching you draw is Dr. Albert Einstein! I kept my cool, avoided his assessing glare, and continued to sketch. After drawing in the eyes, I moved to the nose, and then to the lips…his eyes continued to follow my pencil, everywhere.

After a while, I gave up, and looked straight into his eyes, and then I realized that there was more to Einstein than his face. I began to remember what I had read of his life. Einstein was known for his brain. He was thought to have been born with a bigger brain.

Lo and Behold! If the expression sounds archaic, please excuse me – for I am (archaic) too.

So…once again…

Lo and Behold! I decided to exaggerate the size of his forehead!

Here is how the caricature was created.

Caricaturing Einstein’s Eyes and Brows

Check out any picture of Einstein, he’s got a bemused look on his face. He seems to be looking at world and saying, “It can all be explained through the General Principle of Relativity.” So I pushed up his quirky eyebrow a tad more to exaggerate the look.

Caricaturing Einstein’s Nose

Einstein’s nose isn’t one of those razor-sharp, slice-n-dice kind of nose. It’s a soft, round, and bulbous nose – a little longer than the normal. All this makes the nose-bulb(?) look like it’s experiencing the full force of gravity!

(Dear Sir Isaac Newton, I hope that you and Dr. Einstein get along well in heaven, and both of you along with Dr. John Wheeler, use the quantum foam to stay in touch with the scientists of our time. I assure you, they need your help to clean up the BP Oil Spill Mess!)

Oh, the nose! As you can surmise, I wanted the nose to become longer, and its bulb to become more bulbous; so I pulled the lower anchor points out of the feature frame, until the nose overshot the lips. (To understand anchor points and feature frame, read “The Evolution of a Caricaturist“.)

Caricaturing Einstein’s Hair

Einstein’s hair is magnificent. It’s white, long, and fluffy (he used a shampoo that he invented himself – right?) I added the effect of the electric hair blower on the white, long, and fluffy, to make them more prominent.

I also fluffed up Einstein’s mustache and tweaked it a little at the ends:)

Caricaturing Einstein’s Forehead

Inspired by Dr. Einstein’s supervising eyes, I made his forehead and also his head, bigger. Remember that the head is almost hemispherical. I decided to exaggerate not the size of the hemisphere, but its shape! Look at the forehead closely and try to visualize the head – you’ll “see” that the shape tends to be a sphere more than a hemisphere.

Einstein’s forehead has a lot of prominent lines. I exaggerated the lines. Look at the right edge of the forehead – you can even see the folds. When your exaggeration moves out of the facial space (at the edges) it becomes stronger.

That was all I did – and Einstein’s caricature winked at me:) My job was done!

If you are interested in exploring the techniques involved in drawing caricatures further, I recommend the following:

• “How to Draw Caricatures – The Evolution of a Caricaturist”, a Free Online Book on Google Knol.
• “Tuto-tweets by @theCaricaturist

Have fun caricaturing:-) Spread the Smile!

 

The Caricaturist is coming Back to the Future!

Dear Visitors,

Today I shall be posting the caricature of Albert Einstein – the greatest mind of the twentieth century…so do stop by again, in about 12 hours or so:-)

Additionally, you can either subscribe to this blog’s posts (top right corner in the side bar) or follow my tweets @theCaricaturist.

I know that the regular visitors to this blog must be wondering whether the caricaturist would ever return to the present – and more specifically, to Hollywood. The good news is that I’ve discovered my lost time travel marker (refer to “Timeline” by Michael Crichton) and I’ll be back by next week.

Until then, my friends, check out the Caricature Gallery and also the Celebrity Calendar links. The aspiring caricaturists are welcome to check out the book – How to Draw Caricatures – Evolution of a Caricaturist!

And yes, if you’d like to use any of the caricatures from this blog on yours, you can use them for free – as always there’s a small catch…find the catch at the Permissions page here.

Warm Regards,

Shafali

 

Chapter 8 – How to Draw Caricatures – Caricaturing the Lips and the Mouth Published

“How to Draw Caricatures – The Evolution of a Caricaturist” grows by another chapter. “Chapter 8 – Caricaturing the Lips and the Mouth“, enables you to classify the lips and helps you understand the process of exaggerating them. It also provides some useful tips that can help you out of some caricaturing lip-locks (oops! I meant deadlocks!)

If you subscribe to this blog’s posts, you must already be receiving your regular updates on the book; but if you aren’t, I invite you to click the Subscribe button at the top right corner of this blog.

Here’s how far the book has progressed.

The Evolution of a Caricaturist

• Chapter 1 – How to Draw Caricatures – Getting Down to the Basics
• Chapter 2 – Why Caricaturists Love Celebrities?
• Chapter 3 – The Human Face – Observing it from the Caricaturist’s Perspective
  
• Chapter 4 – The Psychology of Face Recognition – The Caricaturist’s Secret Weapon!
• Chapter 5 – Caricaturing the Shape of the Face
• Chapter 6 – Caricaturing the Eyes
• Chapter 7 – Caricaturing the Brows and the Brow-ridge
• Chapter 8 – Caricaturing the Lips and the Mouth

The book is more than halfway through (about two-thirds,) and I should say that it wouldn’t have made it this far if it weren’t for your support. When you visit this blog, view the caricatures, read the book, and communicate with me; you inspire me to draw another caricature, or to write another chapter of the book. Thank you my dear visitors, friends, and readers – for helping me make this book happen.

The next two caricatures to appear on this blog are…

Would you care to guess?
Here are the clues:
1. Curious anatomists weighed his brain when he died. Who was he?
2. He explained why we are so down-to-earth! Who was he?

I shall await your answers:)

Warm Regards,
Shafali

 

How to Draw the Caricature of Jack Nicholson – The Wolf

Two caricatures have challenged me like no other. They are Jack Nicholson’s and George Clooney’s – however, the reasons that made them challenging were diametric opposites.

Before I tell you more, here’s the caricature that we’ll be discussing today.

Jack Nicholson’s face has a lot of elements that can be caricatured, while George Clooney has but one (his chin.) Thus, with Jack Nicholson’s caricature, I faced the problem of plenty. Yes, the same problem that plagues rich kids of rich dads (does it remind you of a Ms. Hilton?) – they don’t know what to do with what they have – and so they go through their lives baffled and uneasy. Jack Nicholson’s face to a caricaturist is like Paris Hilton’s rich dad. Really. His dreamy eyes, his deriding mocking smile, his crazy untidy hair, his strong dimpled chin, and of course, his poking-fun-at-you eyebrows! I was a confused caricaturist who had plenty to play around with and who wanted to splurge at everything and anything.

It is at moments such as these that self-restraint becomes a quality in a caricaturist. Instead of following my instincts blindly, I organized my thoughts and decided to exaggerate the brows and the chin more than I exaggerated the other features. I felt that these two features set his face apart from others’.

Here’s how I drew the caricature of Jack Nicholson.

Caricaturing Jack Nicholson’s Eyes

As I said, Jack Nicholson’s eyes have that dreamy drunken look, which seems to mock everyone they look at. The look seems to tell them, “I know better!”
I exaggerated the differences between his left and right eyes. I also gave him a slightly sideways glance to capture and exaggerate the look in his eye. Note that I haven’t played around with the shape of his eyes much. (Read “Caricaturing the Eyes” here.)

Caricaturing Jack Nicholson’s Jaw and Chin

The shape of Jack Nicholson’s face can be best classified as pentagonal (though his chin is heavy, somewhat squarish, and not too pointed, it is very prominent.) I pulled all the anchor points and the mirror points out of the feature frame, with all my might. In fact, I could well caricature myself having lost my foothold as I dangled from the mirror points on his jaw – trying to use all my weight to pull those points lower and wider, making his chin about three times his nose. (Read “Caricaturing the Shape of the Face” here.)

(Note: if the terms anchor points, mirror points, and feature frame make your eyebrows rise up in the middle (in other words, makes you wonder), you need to check out the Free Online book “How to Draw Caricatures – The Evolution of a Caricaturist”!)

Caricaturing Jack Nicholson – the Wolf’s Hair

Once again, I didn’t do much with the hair. I went for his slightly Wolf-y look and made his hair look a little rougher through some truly violent strokes of my pencil. I wanted them to look like the hair on a badger’s much talked about behind (or what I imagine the hair on a badger’s behind to be – discover in this funny poem here.)

And…finally,

Caricaturing Jack Nicholson’s Eyebrows

Honestly, his eyebrows look like he’s got them cello-taped to his forehead. Probably he has, but I couldn’t find enough evidence to support my hypothesis. I did contemplate taping his eyebrows up, but upon some reflection I discarded the idea. I wasn’t caricaturing Frankenstein’s monster, I was caricaturing a good-looking Hollywood Celebrity, who despite his years can make women swoon! So up went the brows – they got pierced and got those golden rings. (Read “Caricaturing the Brows & Brow-ridge” here.)

Caricaturing the Birds

When I was ready with the strings, the birds just flew in. They began chirping and I turned my translator on. Aha. On the sly, Jack Nicholson employs birds that keep his brows hitched up…nobody knew – until now. But now, the secret is out!

Here are some other things to do:

• Download the Free Jack Nicholson Caricature Calendar here.
• Read the Jack Nicholson Caricature Post here.
• Read the Free Online book “How to Draw Caricatures – The Evolution of a Caricaturist” here.

Have fun caricaturing:-) Spread the Smile!

 

Chapter 7, “Caricaturing the Brows and the Brow-ridge” added to the Book!

Dear Visitors,

The book “The Evolution of a Caricaturist” is evolving! Today I added the 7th Chapter , “Caricaturing the Brows and the Brow-ridge” to this book. Here are the links to the Chapter Outline of the book, along with the direct links to the 7 chapters that have been added so far.

The Evolution of a Caricaturist

• Chapter 1 – How to Draw Caricatures – Getting Down to the Basics
• Chapter 2 – Why Caricaturists Love Celebrities?
• Chapter 3 – The Human Face – Observing it from the Caricaturist’s Perspective
  
• Chapter 4 – The Psychology of Face Recognition – The Caricaturist’s Secret Weapon!
• Chapter 5 – Caricaturing the Shape of the Face
• Chapter 6 – Caricaturing the Eyes
• Chapter 7 – Caricaturing the Brows and the Brow-ridge

The 8th chapter will discuss the process of caricaturing the lips and the mouth.

If you are interested in recapturing the attention of your lost love of drawing, this book is your cupid:-)

Regards,
Shafali

 

How to Draw the Caricature of Tiger Woods, his Women, his Cup, Nike, and the Devil!

Wondering how to draw the caricature of Tiger Woods? Let me share with you the process of drawing it. Here’s the caricature once again (to help you put your memory into Nike’s jogging shoes!)

Who wouldn't?

As you must’ve already figured out, this caricature is about Tiger Woods tumbling wherever with those nineteen or so women. The story is now old, and Mr. Woods is now back in action. Nike stayed with him through these rough times, more for their sake than his, or so I think – because Woods is the Nike icon for the testosterone-driven men who’d idolize the new macho image of Woods far more than his boring, all too predictable, one-woman-man image!

But put all that aside for now. We are right now the students of art – and we want to discuss how this caricature came to be.

Caricaturing Tiger Woods:

Other than the Nike logo on his cap and t-shirt, Tiger Woods can also be recognized by his huge round eyes, his thick lips, and his pearly whites! He’s got a shy half-smile and a nice round nose, which makes his face look rather boyish. Note that his upper eyelids are slightly heavy and they hide the top third of his pupils. You can read about caricaturing the eyes, here.

Caricaturing the Smile:

For this caricature, I selected his smile as his most important feature. As you can see, his lips and his teeth have been exaggerated the most. I focused on the smile because of the context. Think about it. If you were a man (or if you are one,) and if you were offered a cup full of buxom beauties, how would you react?
(You are welcome to add your above-the-waist reactions to the comments.)

Well, I imagined that Tiger Woods’ reaction would be a shy smile.

Caricaturing the Women:

Ah, the women! Remember that women aren’t easy to caricature. You need to ensure that the women in your caricature don’t look ugly. Every woman is beautiful. Period. So at best, you can make them look like the Disney Princesses, and at worst you may want them to look cute like the pixies. So in this caricature, I made the cute little pixies climb over one another, clamoring for Tiger’s attention.

Caricaturing the Devil:

This is the part that I liked best!

This particular devil is a modern guy. It personifies the evils that exist in the modern world, specifically the evils that influence sportsmen like Tiger Woods – otherwise known as advertising! This devil wears his cap backwards, sports an untidy stubble, and wears a tee-shirt with slacks. He carried the Nike logo as his weapon, and incites the tiger in Tiger Woods to indulge in adultery – one of the seven deadly sins!

The Story in the Caricature:

The story in the caricature is told by the Devil. When he whispers to Tiger Woods, and tells him to, “Just Do It,” it makes you wonder how many men in Tiger Woods’ position would be able to resist the temptation!

So that’s that about the Caricature of Mr. Woods and his longtime relationship with Nike and the Devil.

If you want to learn the nuances of creating caricatures in a fun and easy to learn way, you would like to read, “How to Draw Caricatures – The Evolution of a Caricaturist.“

Download the calendar “Tiger Woods as the Casanova” here.

 

Caricatures of Abraham Lincoln & Shakespeare, Sandra Bullock’s Marriage, and a Busy Schedule!

About the Caricatures of Abraham Lincoln and Shakespeare

I’ve begun work on Abraham Lincoln’s caricature and I hope he won’t frown at it from his comfortable den in heaven when he looks at it. I’ve also begun studying some representations of Shakespeare. I don’t know how much likeness they bear to the great writer, but as photography wasn’t as keenly pursued in his time as it is now, these representations however ridiculous they might seem, will have to do.

About Ms. Sandra Bullock’s Marriage in the danger of being Tattooed-out!

I think I know the reason behind Mr. Jesse James’ indiscretion, which has rocked his marriage with Ms. Bullock. I guess Ms. Bullock’s husband was inspired by this caricature of the tattooed and the pierced one, and he decided to sample a tattooed beauty. I guess Ms. Bullock was busy collecting her numerous awards, and so she never had the time to get herself tattooed or Mr. Jesse James wouldn’t have experienced the need to check out the beauty of tattoos outside his marriage.

About my Busy Schedule

Hah! A caricaturist busy? Doing what? Well…remember that this caricaturist doesn’t earn through her caricatures, so she has to work some more to put bread on the table and to put chicken in her dog’s bowl! This week’s going to be real busy. Among other things, I plan to add two caricatures to your favorite caricature blog and a new chapter (the 7th) to the knolbook on How to Draw Caricatures – “Evolution of a Caricaturist.”

So, stay tuned…and Spread the Smile!