Coming up soon: Caricatures of Gandalf the Grey, Taylor Swift, and Jesse Jackson.

Have you ever seen them together? In the same place? This has never happened before! But now it will. Now you will see them together here – at this caricaturist’s blog!

Caricatures in the Offing!

• The caricature of Gandalf the Grey has been painted in…well, grey!
• Taylor Swift’s caricature was done quite swiftly and in vibrant colors. (For the same poster collection for which I did this caricature of Selena Gomez.)
• And the caricature of Jesse Jackson… right now, a sketch – but I might paint it.

Blogging Plans for the Next Two Months:

• Tutorials – Cartooning and Caricature-Drawing
• Tutorials – Pen & Ink Drawing
• A couple of Short Satires (I may not publish them on SmashWords like the earlier ones – just here.)
• Snapshots/Final Artworks/Caricatures that I do during this time.

Possible To-do’s for First-time Visitors:

• Do visit my Caricatures Gallery and/or my Pen & Ink Animal Portrait Gallery.
• If you’d like to get notified when I publish new caricatures/tutorials here, just click Follow on my sidebar, or Like my Facebook page.
• And if you are here because you were looking for my book “Evolution of a Caricaturist – How to Draw Caricatures” read about it here, or buy it for your reading device on Amazon here.

Keeping this post short 🙂 Got to get back to sketching a very interesting scene for a magazine-spread. I need a cup of tea before I start…

 

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Caricature/Portrait of Selena Gomez – The Poster: Come and Get it while the Stars Dance.

This caricature of Selena Gomez is one of my recent creations. It’s part of a poster collection that I am working on.

Selena Gomez’s Caricature:

Actual Size: 12 inches by 18 inches.

 

5 Steps to Painting Caricatures and Portraits:

Digital painting is quite like oil-painting or color-pencil painting (an odd term to use but when you look at the stuff artists create with color-pencils, painting is the only term that really does justice to the magnificent works they produce.)

So what do I mean when I say Digital Painting is like any other painting?

Simply speaking…

1. Begin with a rough sketch that gives you the outlines.
2. Block in the basic colors-shades – the darks and the lights, paint in the background to get your edges clean and sharp.
3. Mix the colors so that you don’t see them as patches.
4. Detail the features (in the case of portrait/caricature painting.)
5. Finish by adding the highlights.

There was a time when I fretted about brushes – which to use for which purpose; but then decided that it was too confusing and so I now paint the whole image with one brush – it’s a natural brush that ships with Photoshop – and I just change the brush-sizes, which is pretty easy to do if you paint in Photoshop. If you use a tablet, program your strip to “[” for reducing the size and “]” for increasing it; or just push the corresponding keys on the keyboard.

Selena’s Caricature – A Recap of the Process:

Here are three important stages of Selena’s Caricature.

The Sketch:

I begin with a sketch. I always do; and that’s how I think it should be done – mainly because a sketch allows you to fix the important mistakes before you carry them over in the final work. It’s about risking 15 minutes of work vis-a-vis risking a couple of days worth of effort, so the decision is actually a no-brainer.

The sketch stage is where I stretch and squeeze her features to make her face look funny. I am not a distortionist, which means I exaggerate only to increase the funniness quotient of the image. In my opinion, a caricaturist must not just exaggerate certain features of a face, but to also exaggerate the main element of the subject’s personality. A strong man should look stronger, a haughty person, haughtier; a shabby person should look shabbier, and a cute woman, cuter. The last bit applies to Selena’s caricature. (“Evolution of a Caricaturist – How to Draw Caricatures” explains how a person’s features impact the overall impression cast by the person. The book also discusses Neoteny (that specific quality of the facial features that helps them make a face look child-like,) and describes how a feature must be exaggerated to enhance/reduce neoteny.)

Her hair, especially her ponytail in this image, makes her look cuter…or in other words, younger and childlike. Caricaturing her ponytail made sense to me, as she’s an icon for kids. Her eyes are rather small. Small eyes aren’t considered beautiful on a grownup woman’s face, but they do their part in making her look younger. When I did this caricature-portrait, I was asked why I didn’t caricature her frontal assets more. It’s almost a habit among caricaturists to make their women subjects look exceptionally well-endowed – frontally as well as dorsally. (I plead guilty of doing it once – but the subject was Pamela Anderson, whose silicon-enhanced, almost spherical assets have been the subject of much speculation and mirth. I only did it because it was Ms. Pamela Anderson, and her Pancho and Lefty really deserved to be noted.) In the case of Selena, such exaggeration would destroy the young and innocent look that I was trying to achieve.

As you can see, the sketch is fairly basic. In fact, it was done right there in Photoshop…and it didn’t take a lot of time. Until a couple of years ago, I used to sketch on paper, then scan the sketch and import it into Photoshop. I did this for years…but in the recent years, I’ve found myself doing a lot of my base-sketches (that I use as a base for painting) in Photoshop. It’s cleaner and quicker (changes can be made easily and you don’t need to waste your time scanning the sketches in)…so while I still draw a lot on paper, especially when the final artwork has to be done by hand; for my digital paintings, I now prefer a digital sketch.

The Intermediate:

The intermediate image that you see here, presents the color-coding. I’ve added the colors to the image and have tried to ensure that the light and dark colors are put where they belong. At this point, I am still focused on the face (neck-below it’s still an almost solid expanse.) The brush size is rather large and you can see the paint-strokes clearly. The eyes are almost done (I always sketch and paint the eyes first.) I chose a light background (specifically the sky/emerald blue combination) because it further reinforces the child/girl factor in the artwork. The sequined dress that she would wear in the final image, can merely be seen as a shadow in this image. At this point, I was struggling with the idea of leaving the dress out – too much of work, I thought. But then I caved in to the desire of making her look like a princess.

The Final:

The final image was the result of a lot of work and ended with my right wrist refusing to bend – it had been in the same position for almost the entire duration of the painting process – poised on the keyboard, helping me use the shortcuts. I am sure that art-schools have a special class on how to avoid the carpal tunnel syndrome.

I really don’t have a lot to say for the final look – except that the hair took a lot of time, so did the dress (on a different note – why women wear terrible dresses with bells and shells sewn on them?) I added finishing touches to the eyes, the nose, the teeth, the neck too…but that was the easier part. As you can see…the sketch makes her look a lot younger, but after I watched her recent video, I thought that it would be a good idea to introduce a little maturity to the face (slight squaring of the jaw-line and the slightly naughty look in her eyes.) Finally, my reviewer OKed it and signed the proverbial release form.

Here’s a closeup of the eyes:

About Selena Gomez – The Actor/Singer who’s won the hearts of millions:

Here’s a shorter version of an already short biography of a very young Selena Gomez.

The actor-singer was born in 1992 in Texas, and she did her first role in Barney and Friends, a television serial, when she was just ten. Her first film was Spy Kids 3D: Gameover in which she did a cameo. She also appeared as Mikayla in three episodes of Disney’s serial Hannah Montana, but her real success came from her role in Wizards of Waverly Place, after which she was also compared with the now incomparable Miley Cyrus.

Somewhere around 2009, Gomez began focusing on music in which she got her first major success in 2010 with the song “Tell me Something I don’t know.” The last four years have been a very busy time for Selena.

On the Personal Front:
Selena Gomez’s dad was a Mexican. While the details of her arrival in the US evade me, she has herself confessed of her fears and wondered what would’ve become of her, if she had remained in Mexico. (It made me wonder too…) Her dad had left her mom and her mom struggled to meet the expenses of the household. (I’ve repeated this story so often that I now wonder if there are many in Hollywood who come from a two-parent family.)

Random Bits:

• Selena considers Bruno Mars as her idol.
• In 2008, she was named the UNICEF’s spokesperson for a UNICEF campaign for kids.
• She is in a relationship with Justin Bieber…but then what does that red rose from Tommy Chiabra signify?

Currently…
Her Solo Debut Album “Stars Dance” has been doing well. Her single “Come and Get it,” became a top 10 hit and this is why I thought that the poster must mention it.

A Color Portrait of the Dog who walks with her nose in the Air!

Folks,

Last Week I did this Color Portrait of my Dog. You’ve already seen the Pen and Ink Portrait of my Canine Lady…now I present the color pencil portrait done using the same reference picture.

Here’s the reference photo with the final artwork.

Reference Photo with Final Artwork (Frame Representational) Actual Artwork: 8 inches by 10 inches. Medium: Color Pencils.

Here are some more images in a chronological order.

When I was just about start giving it the finishing touches.

It’s almost done. Final Size of the Artwork: 8 inches by 10 inches. Check out her eyes and her nose 🙂

Finished – ready to be delivered (read the story about “how this portrait came to be” at the end of this post.)

 

Oorvi’s Pen and Ink Portrait on my Desk with the reference image on the screen.

Later…after the dust settled and the portrait got framed.

After Ms. Oorvi got her portrait framed, I took the opportunity to photograph it on my desk 🙂 (CLICK for a LARGER and CLEARER View.)

Now some backstory for those interested 🙂

Behind-the-Scenes Drama – How this Portrait Came to Be!

Some people and their dogs never cease their demands.

First they demanded a Pen and Ink Portrait of the canine lady in question; once that was done, they wanted more. This is how the conversation went between us – the pup had brought her owner and translator along.

An Innocent-eyed Pup: “Those color-pencils…”

A Curious Me: “Yes, what about them?”

A Stoic Pup: “You still have ’em, don’t you?”

A Confident Me: “Yep, I do.”

A Pushy Pup: “Why ain’t you using ’em?”

A Confused Me: “Because I’ve been busy working on my other assignments and they had to be done in Pen & Ink or painted digitally…that’s why.”

An Apparently Illogical Pup: “Don’t you think you should take ’em out…they could turn rusty, you know?”

A Gloating Me: “Pencils don’t turn rusty…”

A Persevering Pup: “or flaky?”

A Worried Me: “Come to the point.”

A Demanding Pup: “Do my color portrait.”

A Shocked Me: “What?!!”

An Ultra-specific-Down-to-the-Minutae Pup: “A color portrait – with my golden fur and green-brown eyes looking golden and green-brown.”

A Cautious Me: “What if I refuse?”

A Gloating Pup: “Remember the Pen & Inks that you are doing for that book…you’ve not scanned them yet, have you?”

A Filled-with-Trepedition Me: “No…but I will.”

A Smirking Pup: “Oh, yeah?”

So I rush to the drawer where I had them neatly stacked…only to find that the drawer had been denuded of its contents.

A Confident Pup: “You do my color portrait and you get them back. OK?”

A Defeated Me: “Hey, but color portraits are more expensive than the Pen and Ink ones…are you prepared to pay?”

A Triumphant Pup: “Sure…I’ll pay. I’ll give all those Pen and Ink drawings back, so that you can scan them, and send them to the client.”

This is how, ladies and gentlemen, A ” totally brow-beaten me” was brow-beaten into accepting a commission of a color pencil portrait of Ms. Oorvi. I did get my drawings back – all twenty-four of them…and I breathed a sigh of relief. 

 If you are interested in looking at my Pen and Ink Pet and Wildlife Portraits, I request you to visit my Pen and Ink Portraits blog here. I am open for pet-portraiture/wildlife art commissions and you are welcome to contact me with your requirements.

Caricature-Portrait of Serena Williams as her Serene-self.

This Caricaturist’s blog is proud to host the Caricature of Serena Williams 🙂

The Making of Serena Williams’ Caricature – A Recap.

Ms. Williams has done it again. She’s got another artist to create a caricature portrait of her magnificent self. As some of her awesomeness spills over the edges of the tennis court and floods this blog, I am so very glad to host her caricature here.

After Malcolm Gladwell’s caricature-portrait, I wanted to do something different. Gladwell’s portrait has cooler colors and has no additional objects. I thought of painting a portrait of a musician or a sports-person, because I thought that a musical instrument or the sports paraphernalia would give me an opportunity to work on something different. In one such random yet guided search, Serena Williams came up. In the picture, she was holding the Trophy after winning the French Open World Cup  of…I think…2012. I though that she looked cute and happy and with that sweet smile on her lips, she looked quite innocent too; she also held that sparkling cup in her hands, which was, in my un-sportist opinion, a far better object to paint than a tennis racket.

I was so taken in by the overall image that I decided to paint it – but I wanted the racket too. The racket was the means to the cup – and though the players often toss away their racket after they win…I feel that for a tennis player, the tennis racket is more like an extension of their hand. I just felt that the picture would be incomplete without a racket. So I added one.

While I don’t post my roughs (something that I learned from my fictional hero, Howard Roark of Ayn Rand’s The Fountainhead,  my mistakes should end in my dustbin,) I must tell you that I made a few changes in my first sketches. They pertained to the angle of the racket, the caricaturing of the trophy, and Serena’s hair. The changes were minor – but they made a difference.

To cut a long yarn short, here’s Serena Williams’ Caricature.

 

Caricature: Serena Williams Actual Dimensions: 12 inches by 12 inches.

 

Here are the details of her face:

Face Details: Caricature – Serena Williams.

I doubt there are any in the blogosphere who don’t know who Serena Williams is, but for my clients from Atlantis and Krypton, I must provide a short biographical sketch.

Serena Williams – A Short and Quick Biographical Sketch:

On the Personal Front:

Serena was born in Michigan, in 1981. When they were just four-and-a-half, Serena’s dad Richard Williams started giving them tennis lessons because he wanted his daughters Serena and Venus to become tennis players. For a very long time Richard Williams continued to be Serena’s and Venus’s coach. It’s only recently that he married a much younger lady (in 2010.) He divorced the Williams sisters’ mother Oracene Price in 2002. Oracene Price, who did coach the girls technically as well, focused more on building a system of strong values and beliefs in the Williams sisters. Price taught them the virtue of staying pressure-free.

On the Professional Front:

She’s ranked world #1 in women’s singles. She’s got a zillion other things to her credit, but all that is overly complex for this simple-minded caricaturist so she’ll leave you with this awesome wikipedia link of Serena Williams’ page here.

This year hasn’t been good for her so far. Her coach said that she’s going through a difficult period.

————————-This marks the end of Serena Saga in this post—————————-

If you are interested in learning how to draw caricatures…check out “Evolution of a Caricaturist – How to Draw Caricatures” on Amazon. It simplifies and distills caricature-making to a science. Remember that to draw caricatures you needn’t be a super-painter or a super-sketch-artist: what you need an eye to see the funny angle and a way to exaggerate features in a fun way, WITHOUT destroying the likeness. How can you achieve this? Click the following icon to find out 🙂

Click to View the Book on Amazon.

Sorry for a rather longish post…but at times, even we, the visualiti, slip into the quagmire of verbosity.  “Tchah!”

 

About the Crazy Stuff that’s been happening all over this place – A Personal Post.

The more observant readers of this blog must be seeing some changes here – and I hope that the changes meet the approval of my visitors and readers.

Let me sum up all these changes 🙂

1. The Color Artwork section of the Art Gallery has gone through a complete overhaul. I am no techno-geek but the gallery looks cool in my browser (Safari.) I’ve been told that Firefox plays its own dirty tricks on the presentation of this page – so be it. If I’ve to choose between spending my time figuring out html style sheets and drawing, I’ll choose the latter.

Click the following image to view my Art Gallery comprising my magazine/book cover illustrations, inner illustrations, and other color and black and white caricatures.

Click to view my color and black & white illustrations and other caricatures.

2. The top-bar has been cleansed of the sections that I was no longer doing justice to (I know how unfair it is – the pages pay for my disinterest) and it now has a new super cute section – a gallery of my Pen and Ink Portraits. I have another blog dedicated totally to Pen and Ink art, but as this blog is a holistic representation of me and my work, I thought it must be added here too.

Click the following image to arrive at the page.

Click to View my Pen and Ink Portraits of Pets and Wildlife.

3. The sidebar has been shuffled to present the recent changes.

4. The header image has been changed to reflect some works from this year. Hopefully it looks nicer.

The next post will present Serena Williams’ caricature, complete with a trophy and a tennis racket 🙂 (You can steal a glance at her caricature on the header image, but I’ll post a bigger one, with a closeup of the face….and yes, the post would be about my painting experience.) So if you are a sports enthusiast and would like me to notify you about it, click the Follow button 🙂

 

 

Caricature/Portrait of Malcolm Gladwell – The Caricaturist’s blog reaches the Tipping Point.

In my previous post, I had promised a caricature of Malcolm Gladwell. Here it is 🙂

Caricature Portrait of Malcolm Gladwell – Digital Painting – Actual Size: 10 inches by 12 inches at 300 dpi.

 

Why Malcolm Gladwell?

An apt question.

Here’s how it happened. I was talking to a friend in Pittsburgh, and she happened to mention Malcolm Gladwell. She had seen him on a TV show and she appeared impressed by him. I had heard of the guy’s name and somewhere in the far recesses of my mind and in my faded and almost invisible schema of the management world that I once belonged to, a forgotten node began pulsating. A decade ago, he had written something that had catapulted him into fame…this was all I remembered of him.

So I did a web-search and there he was. Looking dapper in that glorious cynosure of a hairdo. On his twitter account, he calls himself “The Skinny Canadian,” which of course is a euphemism for his vertically linear framework. He has a rather striking personality, and quite obviously, it immediately struck me that I must caricature him.

The first rough sketch was done right then and there – the two-minute sketch as the art-gurus would call it. I had Mr. Gladwell’s profile beaming at me from the monitor, and I made a rough. It was close but not what I really truly desired. This prompted me to make another sketch – this was done in Photoshop, and this was something that I could paint.

Rest was all painting. As you can see, I was focused on the face and skin… and I wanted to capture that look in his eyes. Unlike my full-length caricatures where fun is the primary goal I strive for; in this particular artwork, I wanted to take it nearer to a portrait in treatment and yet keep it a caricature that adds to the personality of Mr. Gladwell.

As this blog’s tradition dictates, I must now talk about Mr. Gladwell and his life thus far.

Malcolm Gladwell’s Shortest Biography on the Web:

I know I can’t beat the short and succinct autobiographical statement on Mr. Gladwell’s Twitter Account, which just reads “The Skinny Canadian.” I won’t even try to, because I think that there’s actually a lot more to him than the fact that he’s skinny and Canadian.

He was born in England, in 1963. In 1984, he graduated with a degree in History from the University of Toronto. His first job as a journalist was with The American Spectator (now that info byte is extra-special because as some of you know, I’ve been illustrating for The American Spectator for almost a-year-and-half now.) Then he wrote for another magazine before moving on to writing for The Washington Post. It was in 1996 that he began his career at The New Yorker.

Malcolm Gladwell’s Books:

Gladwell’s written 5 books. They are:

1. The Tipping Point: How Little Things Can Make a Big Difference (2000),
2. Blink: The Power of Thinking Without Thinking (2005),
3. Outliers: The Story of Success (2008),
4. What the Dog Saw: And Other Adventures (2009),and
5. David and Goliath: Underdogs, Misfits, and the Art of Battling Giants (2013).

(Source for all the above information is dear old Wikipedia here.)

Gladwell isn’t married, he writes about everyday stuff that happens in malls, in streets, in homes, and in corporate boardrooms – and I think he and his hair are super. BTW, when he was younger, his hair wasn’t that wild. In fact he used to look quite normal 🙂 But then, I wouldn’t care to caricature him then, would I?

 

A Pen and Ink Pet Portrait from a Photograph – Guess who got framed?

Fridays are Furry Furry Furry! (translating for the un-dogly, “Fridays are very very furry.”)

How so?

Through a Pet Portrait Commission of Ms. Oorvi. (Yep! A proper commission, I got a check for it – and I’m going to buy another box of color pencils with it.) I thought it’s a good idea to show you the photograph and also the Pen-and-Ink portrait, so here it is:

Size: 8 inches x 10 inches

 

One of these days, I am going to write a tutorial on making pen and ink portraits. This year I’ve done a bunch of them and I’ve been falling in love with the crisp beauty of the medium all over again. If you are interested in reading how this portrait happened, read about it at my Pen and Ink Portraits blog here.

Caricatures of Malcolm Gladwell & Serena Williams Coming up.

Now to the regular matters of Caricatures etc. I’ve been working on some cool caricatures (the left-brained would recognize the name of Malcolm Gladwell, and the non-studious population of the sport-loving kind would appreciate one of Serena Williams…perhaps.) I’ll be posting them soon. These portraits are special for me, because they are painted upon the sketches that I did directly in Photoshop – something that I never did before. Until about a week ago, I’d always sketch in my sketchbook, scan the sketch in, then send the sketch to the client for approval. I knew that people sketched in Photoshop, but I expected a steep learning curve, and so I stayed away…until last Saturday.

Guess what? If you are doing detailed pencil drawings (for example, the black and white caricatures that I do) where your want a finished look for your artwork; I’d recommend you stick to your art-paper and pencils. However, if you are doing sketches that you want to ultimately paint – Photoshop is cool. Just fetch a really small (say 4 or 5 point) round hard brush from Photoshop’s basic brush library, set pressure-sensitivity on, and start sketching. I found cross-hatching to result in a ball-point sketch kind of look…and I think it works. One of these days, I’ll share a few sketches that I did this way.

But enough of this…you are a busy person and you need to get back to your easel – digital or otherwise.

However, if you aren’t all that busy, do visit my Gallery. It has been refurbished and updated, and I think it looks better than before 🙂

Caricatures: Mark Pryor and Tom Cotton – Cover Art for Talk Business & Politics Magazine.

This is one of the recent magazine-covers that I worked on. It was for the July/August Issue of Talk Business & Politics Magazine of Arkansas.

Senator Mark Pryor and Congressman Tom Cotton fight it out in the 2014 Senator Elections of Arkansas. – Cover Illustration for the Talk Business & Politics Magazine.

 

US Senate Elections in Arkansas – 2014: Mark Pryor vs. Tom Cotton

The US Senate Elections in Arkansas for 2014 will see Senator Mark Pryor being challenged by Congressman Tom Cotton.

Here’s a quick biographical snapshot of the two politicians that you see in the boxing ring. Senator Mark Pryor is seeking a third term as senator. He is a Democrat, he’s recently been through a divorce, and has a background in finance. Republican Congressman Tom Cotton, on the other hand, is an army veteran, a lawyer; and of course, a lot younger than his opponent. Arkansas is considered to be Republican territory; and while in 2008 Mark Pryor had won without facing any Republican challenger, the story appears to be different this time. According to this article on Huffington post, it’s going to be a closely contested election.

About this Cover Illustration:

A few points that I’d like to draw your attention to – 1. The client required that I make their bodies almost equal in volume and that their faces came up to the same level. However, there’s a lot of difference between the body volumes and heights of the two gentlemen (Pryor is short and stout; Cotton is tall and wiry.) When I read the brief, I wondered, but I trusted the client’s viewpoint (he’s the one who knows the other side; we were too early in the process for me to see the article.) So I researched and realized that the elections are going to closely contested and that both the contestants are being considered equally powerful (here’s the link again.) So, showing them as “visual” equals in the boxing ring, made a lot of sense.

Notice their complexions too. Pryor’s has a ruddy hue while Cotton’s is pale – almost oriental. I thought that I’d color-code their boxing gear to show their political affiliations – and to add more color to the cover. I love color and while I love play with semi-realistic/realistic treatments in skin, hair, and clothes; I like to push the colors…just a little.

So, that ends the story of this cover.

Do visit the website and if you are interested in this very interesting fight that comes to a conclusion on November 4, 2014; find the magazine here.

The Feature Frame Method of Drawing Caricatures – and the Evolution of a Caricaturist.

How to Draw Caricatures

(An Artist’s Eternal Quest for a Technique that always works!)

 

Or “almost” always works…
Because the experimental landscape of an artist’s curious mind forces an artist to change and evolve, defying the use of scientific methods and reducing the chances of a boolean result.

The Feature Frame Method © that you learn in “Evolution of a Caricaturist – How to Draw Caricatures“ is a scientific method that provides a framework that a caricaturist can use to create caricatures that exhibit relevant-exaggeration and likeness.

Usually I don’t talk about the book. This is mainly because I think that a book should do well or not do well on its own merit. I had been thinking of making a post about how cool the book is – it appears that everyone who writes a book does – but somehow I couldn’t. I’ve always thought of Learning and Medicine as two professions that should rise on their own merit. This is precisely why I didn’t buy my book and send (“gift”) it to sundry reviewers who have no love for caricature-drawing.

Oddly, despite my own non-promotional, finicky attitude, the book’s sales have been picking up steadily. The only reason that I can attribute to it is a kind word-of-mouth.

Oddly again, the stereotypical artist’s aversion to writing has ensured that there aren’t any reviews. It’s fine. I know what being an artist feels like and I know that if reviews were pictures, I’d probably have one from every artist whose device has my book. I am not sure if it would be a cool review, but I am an incorrigible optimist, so I always think that it would be 🙂

Here’s a small effort to enhance the visibility of this book further. If you’ve read my book and found it useful, or if you’d like to help this book reach more artists/hobbyists who would like to learn how to draw caricatures, do share it.

“Evolution of a Caricaturist” – A book for artists and hobbyists for learning how to draw caricatures.

As an artist and as the author of this book, I think that if you are an artist/hobbyist who wants to learn how caricatures can be drawn with confidence, this book is for you. “Evolution of a Caricaturist” is not about painting, nor about sketching. It’s about how you can look at a face and create a caricature of it – using any medium that you prefer. So if people tell you that you draw beautifully, but they aren’t able to recognize the person in your caricature (who they know through real/reel life, of course,) then I’d recommend that you click the following link/image and check out “Evolution of a Caricaturist – How to Draw Caricaturist.”

Available as an eBook for your hand-helds and desktops. Click the above image to View on Amazon.

If you don’t want to head for Amazon straightaway, first download the preview of “Evolution of a Caricaturist” at ISSUU and then decide. And if you like it – with permission of the artist who dwells within you, please leave a review too 🙂

Coming up soon is a post with my newest Magazine Cover. It’s already on my Facebook page, do check out if you are interested.

Soon, then.