It’s one of my favorite covers so far. I had been waiting for the book to come out so that I could share it with you. More soon.
You can download the book on Amazon at: https://www.amazon.com/dp/B071XR1311/.
It’s one of my favorite covers so far. I had been waiting for the book to come out so that I could share it with you. More soon.
You can download the book on Amazon at: https://www.amazon.com/dp/B071XR1311/.
I recently did this artwork for the cover of TBP Magazine’s March-April 2016 issue. While it might look like three regular portraits of three gentlemen standing in suits, sharing a joke; the assignment was a challenging one, and when the client’s approval came in the first shot saying “I like it a lot,” it felt great.
Here’s the artwork:
And the story:
This might sound like a problem from the GMAT Question-paper, but it isn’t – it’s real, factual data. Mr. Bumpers (the gentleman at the left) is about 10 years older than Mr. Pryor (the gentleman at the right,) and Mr. Clinton, the rather cute looking gentleman in the middle is about 10 years younger than Mr. Pryor. Mr. Bumpers belonged to the expensive and low-res era of photography and so the web isn’t choke full of his pictures (which obviously means that the references weren’t easy to come by.) Mr. Pryor was close to retirement when the digital era began, so there were some pictures of his older self available but not many of the time when he was politically active. However, there was no dearth of pictures, as far as Mr. Clinton is concerned.
But this is just one part of it.
I needed to paint all the three gentlemen as they looked in the past; as their younger selves. That and the differences in their heights – all that had to factored in while creating this artwork. I enjoyed the challenge and also the fact that I was drawing and painting portraits for a change 🙂
So that’s that. Coming up soon is a post by the writer in me.
Though this might be news to my Blogging101 co-bloggers, my old friends and visitors know that I own a Time Machine.
It is an old 2052 model TimMaX110, but except for sundry fuel issues, it works just fine. I confess that I bought it online. There were many options – at different price-points; the Chinese was the cheapest, the Made-in-Germany was the most expensive (and the possibly the best), but finally I settled for the Made-in-America TimMaX110. All these models are from the future, so you wouldn’t have heard of them. It should suffice to say that I own a TimMaX, which sputters a bit while revving up, its fuel gauge doesn’t work, once in a while it lands in odd times and places, and while its mileage does burn a hole in my purse, the pickup is so good that it almost leaves the rear-end of the machine behind.
When I took this specific trip into the past, for the first time, all through the trip my TimMaX didn’t splutter or faint on me. I had to pick up Rajveer the vampire in the thirteenth century, then stopover in the sixteenth and the twentieth centuries, before we returned to the present. The space-coordinates were all located in India – thanks to this particular Italian client o’mine who loves India (for reasons that she explains in her interview below.)
Before I introduce you to the author Ms. Barbara G.Tarn, let me show you the cover that I painted for her book Rajveer the Vampire, which you can pre-order on Apple US, Barnes&Noble, Kobo and Smashwords.
Rajveer the Vampire – an historical fantasy novel by Barbara G.Tarn
In this new novel, Barbara G.Tarn combines her love for history (especially medieval) and fantasy. It’s the story of a vampire through the centuries that will appeal to both historical fiction readers and vampire lovers all over the world.
A “sun clan” warrior can never become a true child of darkness.
In 14th century India, Rajveer, a proud Rajput warrior of a Suryavanshi clan, is turned into a bloodsucker by an ancient Celtic vampire. Immortal, he loses his family to war and time and travels through northern India, seeing history unfold. Threatened by both human wars and evil vampires, can he remain true to his sworn vow not to take human lives?
A vampire’s journey through centuries.
Barbara G. Tarn write fantasy literature of a different kind. While most vampire-stories are set in a dark place with pale vampires who have scarlet lips and protruding fangs that drip blood, her stories are set in our world. They are spaced in time, but her well-researched descriptions of those other places and times makes one wonder whether she has lived it all.
She agreed to answer a few questions for this post, and I am mighty glad she did, because these questions have been troubling me ever since I began doing her covers.
Q1. You are an Italian but your novels have many Indian characters. And in your latest novel “Rajveer the Vampire,” not only your main protagonist Rajveer is an Indian, the novel has been set in India. Why are you so smitten with India?
I guess I summarized it pretty well here… Gee, five years ago already! Where did time go?! Anyhow, it’s probably also a question of previous lives. I know I had some very good life in the European Middle Ages (before guns ruined everything for everyone) and then there was probably some other life spent in India, and it stuck to me… I have also noticed a lot of similarities – besides the name of the country (India-Italia – 5 letters, start with I ends with A) – so even if on the planet we look far away, I think we are very similar…
Q2. The Chinese, the Japanese, the Africans, the Australians, and the Alaskans are all waiting for their turn to feature in your novels. When is that likely to happen?
Japan is my next intercontinental destination. Some day I hope to get to visit my friends down under as well – and study the Aboriginal people. China and Africa will probably have their own vampire mythology, since Rajveer the Vampire will probably be the first of many… Alaska is a very cold place and I’d love to visit it one day! Although… I don’t really need to go there in person to write about countries and places. I haven’t been to India yet, after all… but hope to before I write the second book of the series, so I can show it with Westerner’s eyes!
Q3. Some say that you share a mysterious chemistry with a certain Bollywood star, and his dreams inspire some of your books. Is there’s any truth in these rumors?
Does this answer your question?
More can be found in 15 years of Creative Barbwire – and maybe soon in another strip or single vignettes (sometimes I publish them on my blog, sometimes I keep them private. Or you can admire my procrastination techniques… Now I better go back to writing!
all the stuff that was going on in life is finally settling down. The dust still swirls, but who cares…certainly not this caricaturist. During this time, I was also a part of an archaeological expedition. The digging resulted in some long-forgotten, ancient artworks, two of which now adorn the wall behind me. These works were done in 2003 and are some of my first pen and ink drawings.
The ink drawing at the top illustrates a knight striking the final fatal blow, and the illustration at the bottom shows a beautiful woman prisoner being read her death warrant. The second work actually illustrates one of the inflection points in the story – the beautiful woman is in fact a good witch who can’t really be held back with manacles, and she has deliberately put herself in this position – so that she could get inside the castle and save the man she loves. The man is a human (why on earth an all powerful witch falls in love with a mere man, is totally beyond my comprehension, but it often happens in fantasy literature. Perhaps Ms. B. G. Hope can enlighten us.)
There were some others too…but the space on my wall is limited. So they had to go back into the loft. I’ll share more pictures and more news…and some caricatures too, but they must be scanned and made blog-ready, so please bear with me.
Sometimes, a search-string catches your eye and brings back memories of an assignment that you did a while ago.
“Drawing Crowd Scenes” is the search-string that led to this post.
O’ dear searcher, I understand your confusion and your anxiety. If you’ve landed an assignment that requires you to draw a crowd and you’ve never done crowds before, your anxiety is natural. It happened to me last year. Most of my work comprises creating portraits and caricatures, and most political and business compositions don’t happen outdoors; so the requirement of drawing a scene with a cheering crowd made me somewhat anxious. I am sure I must’ve searched for drawing crowd scenes then…and most of what I saw in the resulting images was a slurry of heads and shoulders. I am a detail-oriented artist. I like my work to have nuances that make it more interesting with every viewing (or so I hope :)), so I didn’t want a nondescript crowd for the magazine spread I was doing. I wanted my crowd to have character and life.
Let me first share what I ended up painting:
As you can see, the crowd here is composed of the spectators who have gathered to witness a jousting match between two political rivals. There interest in the match is a clear indication that they support one or the other candidate and this is why some have brought banners along. The excitement levels are fairly high here. In medieval times jousting events were one of the few forms of entertainment available for families of the bourgeois – so I thought of including families in the event. A closeup will reveal this connection shortly.
Let us first look at the closeup of the bottom-left of the painting.
These are Mike Ross’s supporters, so they carry a banner of his name. They are excited about the match and fairly optimistic that their candidate will win. They are here for a picnic-match combo and hence the attire. Nothing much to see here, except the body language, the expression and the attire.
Here, the spectators present a cross-section of society. Political illustrations must be politically-correct at times, and your publisher would usually draw the line for you. However, as an illustrator, you too must take some decisions. The crowd here cannot be “all men”, “all women”, “all white” and so on. The crowd should be inclusive. So you see different races represented here…The woman at the bottom left corner (in orange) actually has in infant in her arms (that’s why she’s sitting sideways), the man in yellow who is sitting on the grass as brought along his dog. To add some humor for those who revel in detail, a man is trying to climb over the heads of two guys (top-left) and in the process, incurring their wrath. Overall, the crowd is happy and excited, and comprises of individuals who have their own personalities, should someone decide to look.
Note that I could have added nondescript heads in the background, but I thought that it might take the attention away from the main crowd and so I used my artist’s license and did away with them – keeping the focus on the main crowd.
These spectators are quite like the spectators at the left. They round off the picture quite nicely, and also add an illusion of continuity beyond the left and right borders of the image.
Now, after one run, I feel that I can create crowds of all kinds – it’s a mammoth task, I admit, but once you are done with it, you get a strong sense of accomplishment too. But all that cool talk aside, it isn’t easy.
Here are a few pointers for the first-time crowd painter.
1. Decide upon the importance of the crowd. Is the crowd there to merely represent a locale and is distant from the actual action that you are illustrating? If so, you may have generic heads, hands, and shoulders without closing up enough to show their expressions. If your crowd is there to play a part in the composition, then expressions and faces become important.
2. Don’t make all the faces round/oval. People have different types of faces – long, squarish, pear-shaped, pentagonal…work in different face-shapes.
3. Work with different hair-styles and colors. They make people look different. Have some bald characters too (unless its a crowd of all kids/all women.) Don’t work too much on the details of the hair (you don’t have to capture all the lights falling on everyone’s head) – you can work with the outlines to show curly hair or a bald head.
4. Don’t make everyone look in the same direction. It’s humanly impossible for a hundred people to be looking in the same direction at the same time, even if they are watching an opera. Some look at others, others look at their finger-nails, a few look mesmerized…work with expressions. Remember that they are a crowd, so you don’t have to bring out every feature and paint the whole set of teeth, a couple of upward curves would make a smile, and if you fill the gap between the curves with white, you’ve got a laughing spectator.
5. Bring in different skin-tones – depending upon the region that you are illustrating. It also helps your drawings stay inclusive.
6. If your crowd is shown standing, work with different body-types. Some would be pot-bellied, others reed-thin; some would large, others really small. When you add these little details, your crowd comes to life.
7. For large crowds and gatherings, allow people to spill over the edges. It helps the illusion of continuity, thus making your crowd appear larger than it is.
8. Some artists gray out the crowds so that focus stays on the main artwork (the jousters in this case.) I think that the treatment works better in case of cartoon-illustrations. Caricature-illustrations (my kind) require a more realistic treatment of the crowd too, and graying them out completely doesn’t work. You may want to cool the tones of the crowd a little (if the crowds are in a distance.) I didn’t, because I like working with bright colors and I also thought that the size-difference between jousters and the people in the crowd will automatically result in a sense of distance.
9. If you really want to pack people in, draw more details on those in the front (and nearer to the foreground,) then reduce the details over a few rows (the rows must mix for a standing crowd, but for a crowd that’s watching a stage-show, they’d automatically be clearly defined.) Farther away, circles could replace the heads.
10. In the end, don’t begin drawing your crowds without researching the region for which you must draw the crowd. American crowds look different from Indian crowds, which look a lot different from mid-eastern or Japanese crowds.
Folks, I am feeling happy and honored that President Clinton loved my caricatures of him, and that a framed signed-print of his caricatures (that I created for the TBP Magazine‘s Nov-Dec 2014 Issue) was presented to him by the Clinton Foundation staff for Christmas.
In November end, I received an email from the Clinton Presidential Center that President Bill Clinton loved the caricatures that I did for the TBP magazine cover and inner-spread, and that they’d like to present a signed print of the artwork to him. Finally, three signed prints were ordered – one for President Clinton, another for the Executive Director of the Foundation, and a third for the Chairman of the Board. They too loved the artwork.
I shipped the prints on December 10th and President Clinton was presented his copy on December 14th. I am so glad that I got the opportunity to create those caricatures, and while I don’t think that the subject of my caricatures has time to browse the blog of a caricaturist, I still want to use this space to thank him for liking my work. It isn’t easy to appreciate caricature-art, especially if you are the subject 🙂
Everyone knows Bill Clinton. We know him for a multitude of reasons. Here are those engraved upon the tip of the iceberg.
I think he is one of the most recognized American Presidents, with possibly just one exception (who else but President Barack Obama,) and trust me when I tell you that until a month ago, I had never caricatured him! Not even a sketch. I did paint his wife Ms. Hillary Clinton as someone who’d be contending the presidential elections of 2016 (yes, in a lucid moment of epiphany, I saw her in the race to the White House.)
Let me come to the point – and tell it to you straight. When I came to know that the Nov/Dec issue‘s cover and inner-spread would require Bill Clinton’s Caricatures, I was shocked to realize that this would be the first time I’d be caricaturing Mr. Clinton.
We discussed the idea and came up with a gardening metaphor that would capture how the Clinton Memorial Library has led to a lot of development in the surrounding area. You can see that in the spread, the left page shows Clinton planting the library in 2004, and then you see Clinton again, 10 years later feeling happy and proud as he surveys the development. Read the article here.
A Note for Caricaturists/Illustrators:
In 10 years, a person ages. Clinton had also faced certain health issues (in 2004/2005 he underwent surgeries,) which had made him lose a lot of his facial-fat. This is why the pre-2004 Clinton had to look clearly younger than the 2014 Clinton.
But even before I began ironing out the details, I hit a road-block. I like my caricatures to look cute and nice, and despite Clinton’s half-smile, he’s a not an easy guy to caricature. I actually felt glad that I wasn’t caricaturing when he was the President and I honestly don’t envy the caricaturists who were.
Caricaturing Bill Clinton’s face is a challenge, and in this case, ensuring that the age-difference is visible between the two, was an even more difficult task. I worked with the skin-tone, wrinkles (especially those around the eyes), chubbiness, and hair-volume to get the desired effect.
I’ve also been working on a few other projects (paintings as well as pen and ink drawings) and I’ll post about them soon 🙂 Meanwhile, if you are interesting in learning how to create caricatures, check out “Evolution of a Caricaturist” on Amazon.
This Gallery Update was pending for some time, and while I still haven’t been able to put together the icons for my graphite and pen-ink artworks, I got the icons of the painted artworks together to update the gallery.
I am reproducing the updated part of the gallery here – just in case, you are a kindred (read: lazy) soul.
|Mike Ross – Asa Hutchinson
CEO – Amazon
Host – The Tonight Show
Author: The Tipping Point
|Pat & Babs
Characters in a Novel
|Mark Pryor vs. Tom Cotton
TBP – Arkansas
|Gandalf the Grey
Lord of the Rings
I’d love to mention how the post that I did on Nude Celebrity Pictures has been getting all the attention. I think a new caricature genre with nudes as its central theme could become quite popular, only if someone had the talent and the will to pursue it. The fact that I am sharing this priceless idea so openly with you, must tell you that I’ve decided that my caricatures stay clothed and dignified.
Before I make this post, I’ve got to ask you something? Do you want to make caricatures? (Note that I am not asking you whether you’d like to draw caricatures.) Click the following sticker to find out more about my caricaturing app “Toonsie Roll”, which is going to be in the App Store soon 🙂
That’s all for now 🙂
As I post here once again, after two long weeks, I find the experience quite alien. The past two weeks have been a very difficult time for me on the personal front. And yet, however difficult times may get, we must try to return to our normal routines.
Two days ago, author B.G.Hope wrote to tell me that her book “Pat and Babs” has been published. I had illustrated the cover for her fascinating body-switch novella in June this year. I had also received a 20% bonus on this assignment, which of course, had got me sailing on cloud nine, back then. Thanks, Ms. Hope, for your continued patronage. (The lady in blue (Babs) is modeled on Ms. Hope.)
If you are an author on the lookout for an illustrated cover, please use the contact form, or write to me at my email id (refer the above image.)
As things crawl back to normal, I’ll push myself to make some new caricatures and post them here.
The more observant readers of this blog must be seeing some changes here – and I hope that the changes meet the approval of my visitors and readers.
Let me sum up all these changes 🙂
1. The Color Artwork section of the Art Gallery has gone through a complete overhaul. I am no techno-geek but the gallery looks cool in my browser (Safari.) I’ve been told that Firefox plays its own dirty tricks on the presentation of this page – so be it. If I’ve to choose between spending my time figuring out html style sheets and drawing, I’ll choose the latter.
Click the following image to view my Art Gallery comprising my magazine/book cover illustrations, inner illustrations, and other color and black and white caricatures.
2. The top-bar has been cleansed of the sections that I was no longer doing justice to (I know how unfair it is – the pages pay for my disinterest) and it now has a new super cute section – a gallery of my Pen and Ink Portraits. I have another blog dedicated totally to Pen and Ink art, but as this blog is a holistic representation of me and my work, I thought it must be added here too.
Click the following image to arrive at the page.
3. The sidebar has been shuffled to present the recent changes.
4. The header image has been changed to reflect some works from this year. Hopefully it looks nicer.
The next post will present Serena Williams’ caricature, complete with a trophy and a tennis racket 🙂 (You can steal a glance at her caricature on the header image, but I’ll post a bigger one, with a closeup of the face….and yes, the post would be about my painting experience.) So if you are a sports enthusiast and would like me to notify you about it, click the Follow button 🙂
Or “almost” always works…
Because the experimental landscape of an artist’s curious mind forces an artist to change and evolve, defying the use of scientific methods and reducing the chances of a boolean result.
The Feature Frame Method © that you learn in “Evolution of a Caricaturist – How to Draw Caricatures“ is a scientific method that provides a framework that a caricaturist can use to create caricatures that exhibit relevant-exaggeration and likeness.
Usually I don’t talk about the book. This is mainly because I think that a book should do well or not do well on its own merit. I had been thinking of making a post about how cool the book is – it appears that everyone who writes a book does – but somehow I couldn’t. I’ve always thought of Learning and Medicine as two professions that should rise on their own merit. This is precisely why I didn’t buy my book and send (“gift”) it to sundry reviewers who have no love for caricature-drawing.
Oddly, despite my own non-promotional, finicky attitude, the book’s sales have been picking up steadily. The only reason that I can attribute to it is a kind word-of-mouth.
Oddly again, the stereotypical artist’s aversion to writing has ensured that there aren’t any reviews. It’s fine. I know what being an artist feels like and I know that if reviews were pictures, I’d probably have one from every artist whose device has my book. I am not sure if it would be a cool review, but I am an incorrigible optimist, so I always think that it would be 🙂
Here’s a small effort to enhance the visibility of this book further. If you’ve read my book and found it useful, or if you’d like to help this book reach more artists/hobbyists who would like to learn how to draw caricatures, do share it.
As an artist and as the author of this book, I think that if you are an artist/hobbyist who wants to learn how caricatures can be drawn with confidence, this book is for you. “Evolution of a Caricaturist” is not about painting, nor about sketching. It’s about how you can look at a face and create a caricature of it – using any medium that you prefer. So if people tell you that you draw beautifully, but they aren’t able to recognize the person in your caricature (who they know through real/reel life, of course,) then I’d recommend that you click the following link/image and check out “Evolution of a Caricaturist – How to Draw Caricaturist.”
If you don’t want to head for Amazon straightaway, first download the preview of “Evolution of a Caricaturist” at ISSUU and then decide. And if you like it – with permission of the artist who dwells within you, please leave a review too 🙂
Coming up soon is a post with my newest Magazine Cover. It’s already on my Facebook page, do check out if you are interested.
Those pencils had been languishing in my desk drawers for a whole year. I wouldn’t have bothered with them, had I not gone to the stationery shop to buy pens for my pen & ink drawings. I had ordered some pens, and the shop-owner had called up to tell me that they had arrived. So yesterday, I went to the shop to pick them up.
Every artist knows how addicting these shops can be. Sketchbooks, notebooks, canvas-pads, diaries, drawing-boards, pencils, pens, brushes, colors, paints…I could go on and on…and still not finish the list. The point is that the way the stereotypical woman is addicted to showrooms that are stocked with clothes, shoes, and makeup material; the stereotypical artist is addicted to a stationery shop.
Let me cut a long yarn short and tell you that the pens that I had ordered were ready, and I should have just paid for them, taken them, and left. Instead, I got hooked. I checked out their paper inventory, their notebooks/sketchbooks inventory, and then I came to a stop right in front of the shelves that held the color pencils!
Color Pencils! I had bought a stash last year!
The rest, honestly, is a blur.
All I wanted to do was reach home and get those pencils out and start drawing.
This is what I drew.
The head-dress, I admit, is a little odd…a feather, a lace-edged fan sort of thing (a collar from an old ragged dress worn as a head-ornament), a feather, a colorful rag around her head. Why would a beautiful woman choose to wear something as unfashionable as that? Before you admonish me for the strange headdress, allow me to defend myself.
The headdress is odd, because I wasn’t really thinking. I just wanted to try out the pencils and see how I could blend the colors. I learned that the blending was terrible and that I might have to check out the Pastels when I went to the stationery store the next time.
I do like the eyes. They rivet you. I like the underbite too. It makes her look witch-like in a subtle but intelligent way. It amuses me to think how even the slightest of underbite can change the whole expression – how it can turn a smile into a smirk.
I’m not satisfied with the look, the texture, and the brightness of the colors; but I post this to record my experiments with color-pencils. Note that though I used Derwent Watercolor pencils to draw with, I didn’t use water on the image. The application of water could brighten it up by heightening the contrast, but I just wanted the dry pencil look.
More on this later…when I suffer the next bout of color-pencil inspiration.
Meanwhile, if you want to meet someone who simply loves color pencils, meet Creative Barbwire 🙂
Last month, I had the opportunity to illustrate the cover of two political magazines. I’ll post the other cover after the magazine hits the stands. Here’s the one I did for The American Spectator‘s July August 2014 Issue. If you hold Conservative views, pick a copy from the newsstand or subscribe to the magazine here.
I must confess that this was a challenging assignment. On the face of it, it looked easy. A lady with a Red-Indian head-dress standing in front of a Teepee… it couldn’t be simpler, you’d say. Actually, you’d be wrong. Over the years, the lady has sported many different hair-styles, her preferred outfit is a loose jacket and a pair of trousers, and most reference images available on the Internet show her waist-up! Anyway, the point is that at the end of it all she looks rather cute standing akimbo in front of that teepee that she didn’t build. Of course, she didn’t build that teepee in the image. I did.
Elizabeth Warren is the US Senator for Massachusetts. She is a Democrat and you can read her blog here. The controversy that the tag-line in the cover points to, is the fact that she had once identified herself as a Native American. It turns out that there isn’t enough documentary proof to support her claim. While most of the voters in her constituency say that this won’t affect their decision to re-elect her, the issue has attracted a lot of criticism.
While Elizabeth Warren has repeatedly denied that she’d be running in the US Presidential race of 2016, there are speculations that she might. She is considered to be a Democratic heavyweight and there’s a possibility that she might be in the race, along with Ms. Hillary Clinton. If you’ve not viewed my Caricature of Hillary Clinton, you can view it here.
I’ve been doing a lot of other stuff lately. This included Pet Portraits, a Couple of Wildlife drawings…and oh, yes. I’ve been experimenting with my color pencils. I had tried them out last year and drawn the Caricature of Samantha the Witch and this captive here – but these were both post-card size drawings. This is bigger.
Let me take a picture and show you what it is – await my next post 🙂
If you are interested in learning how to draw caricatures, check out my book “How to Draw Caricatures? Evolution of a Caricaturist” at Amazon 🙂
I’ve got a new corner on the web. If you are drawn towards the vibrant innocence of kids’ illustrations, check it out and while you are there click the Follow button too 🙂 Expected update frequency: Twice a week.
Please await news on The Evolution of a Caricaturist, which will soon be available on iPad, Android, and Kindle through Kindle eBooks.
A couple of months ago, I had the opportunity to caricature two most talked about talk-show hosts of America: Rush Limbaugh and Sean Hannity. Most of my readers are aware of the pains I take to hide my ability to travel through time. But as they say, it’s impossible for talent to stay hidden for long. Someone must’ve blabbed about my ability to time-travel, to the American Spectator Magazine. They hired me and my time-machine to transport Limbaugh and Hannity into the past, dress them up as the nobility of those times, and transform them into pamphleteers!
While I usually don’t like to take passengers on my trips into the past, I couldn’t refuse this particular offer. After all, these two distinguished gentlemen have been striving hard to make America see the pluses of Conservative thought. I also knew that they’ve each got about 15 million viewers of their talk-shows, and if only 1% of their viewers thought that they looked awesome in their retro-gear, and decided to hire me as their fashion-designer, I’d be famous too.
So this caricaturist hauled up this precious cargo to the past, dressed ’em up in wigs’n frills, made ’em stand in front of a printing press, handed ’em those pamphlets to pose with – and shot this picture. Then she got ’em back, took out her wand and used the obliviate spell to wipe their memories of this event. (This is why they’d deny ever accompanying me on this trip!)
Here’s a snapshot of the magazine on my desk 🙂
I know that you’d like to see the details of their dresses (especially, if you were to hire me as your fashion-designer,) so here’s the closeup.
Both these gentlemen have their websites too. Check them out at:
I’ll return with more next week, when Bigsaw Classic arrives on the App Store 🙂 In the meantime, download and play with Bigsaw Designer – a custom picture puzzle-making machine for your iPad.
I’ve been somewhat busy and rather unwell (yes, I’ve been watching “Mind Your Language” – almost 4 decades after it was first telecast and, I confess that despite my inability to forget that I come from a family that fought for India’s independence, I just love Mr. Jeremy Brown, played by Barry Evans.)
Here’s the stuff that kept me busy the past two weeks:
I created a couple of book-covers or more specifically, novel-covers for a fantastic fantasy writer, B.G. Hope. Next, I worked on a Magazine Illustration, and now I’m neck-deep into a detailed color caricature (name of the subject withheld in the interest of curiosity.)
Of these, I can present only the novel-covers here, because the september issue of the magazine that would carry the illustration has not yet gone to press, let alone hit the stands; and the caricature is not yet done. The novel covers however, now adorn the books of Ms. B. G. Hope, and so I’m ethically free to present them here.
Painted in Photoshop CS6. I first made a sketch as per the concept, sent it to the author for her approval, and then painted the cover in Photoshop.
Samantha the sweet witch switches the bodies of two unsuspecting men, thoroughly unhappy with their own lives. The men however are as different as apples and oranges or…to beat the cliche’…as a kindle eBooks and traditional paper books! The cover depicts Samantha putting a spell on the protagonists. Wondering what happens after the switch? You get tickled in your stomach at every turn of the page, but don’t take my word for it.
Kindlers – please find the book here.
Apple-munchers – please find it here.
All others, please find it here.
Two men who have nothing in common including their sexual orientation, find themselves in each-other’s bodies. Follow them on their quest to get their bodies back, as their new routines lead them into challenging situations with comic outcomes.
And a few words from the caricaturist:
“The bewitching body-switch saga”– The Caricaturist
Again, painted in Photoshop. The goal was to make it look different and yet look part of the body-switch series by the author. I changed the color-scheme and instead of showing the face of the witch, brought her eyes into focus.
Once again Samantha the witch, switches the bodies of two strangers – a man and a woman, and in this book, their sexual orientation is similar – they both like men. The woman (Marian) isn’t the kind of woman that the Johnny ever dreamed of becoming (yes, he’d love to be a woman,) and the Johnny is a lot different from the kind of men Marian has known. Does the switch work? Check out the book at:
Two strangers bored with their routines, rediscover themselves when a crafty witch’s spell switches their bodies. Struggling to live each other’s lives, they land themselves in one comic situation after another.
“A fantastical comedy of errors!” – The Caricaturist
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