Caricature/Cartoon of Ajit Ninan – The Great Indian Cartoonist.

——————–Reposting from 2011———————-

(The Original Post with its Comments can be read here.)

Presenting Ajit Ninan, the Indian Cartoonist who breaks all established standards of quality in cartooning.

Caricature, Cartoon, Portrait, Sketch, or Drawing of Ajit Ninan, the Great Indian Cartoonist (Times of India.)

I foraged the web to ferret out some information on Ajit Ninan, but returned empty-handed. I don’t know when he celebrates his birthday, I don’t really know a lot about his early life, and except for a few details, I know nothing about his professional life.

So what does the Caricaturist do when faced with a blank page?

She closes her eyes and lets her thoughts travel into the past, where she sees a young boy with a dimpled smile, who would become the Ajit Ninan whose drawings tell her that there are people who refuse to kill their skill – come what may.

Here’s the story of this little boy, who became one of the two Indian Cartoonists who’ve made me experience both pride and joy in equal measures.

The Caricaturist concocts a story:

Leave the Roses and Embrace the Thorns

He loved the afternoons. Hyderabadi afternoons were scathingly hot during this time of the year but the heat didn’t deter him from enjoying them. He’d walk back from school with his friends, feeling under the hot glare of the Sun on his brow, his arms, and his spindly legs only half covered by the shorts of his school uniform; but he always looked forward to the afternoons. They were his to do whatever his heart desired. Deep inside he felt that whatever he might end up doing all his life – these afternoons would remain etched in his memories forever.

This was one of those unforgettable afternoons. Ajit had returned from school, and after a quick snack of Idiyappam that his mother had made for him, he was now lying on his stomach, with his feet up in the air – letting the coolness of the marble floor seep into his body. His sketchbook lay open in front of him and propped upon his left elbow, he drew in it feverishly. He had wanted to finish the drawing of that toy car before his father arrived home from work. He looked over his shoulder to check the clock in the living room. It was past four already!

He returned to his drawing, and then drew away to look at the whole picture. What should he do with wheel? Should it be a little bigger? Would it look funnier if he made it bigger…a lot bigger than the other one?

Thoughts swirled about in his mind, blocking everything else…reducing the sounds around him to an unrecognizable medley – the slight hum of his mother’s voice in the kitchen, the distant din of the vendors in the street, even the creaking sound of the door opening…

So when he heard his name being called in his father’s loud but stern voice, Ajit almost jumped out of his skin. The drawing pencil shot out of his hand and landed under his table that was set near the window, and his sketchbook lay open on the floor – the proof of his being a wayward son.

“What are you doing?”
“Nothing, Father.”
“Doesn’t look like nothing to me,” his father took a step forward. Ajit shrunk away. He wished he had listened to his intuition, but then his father never came home early. What was different today? And then it clicked. His parents had to attend a wedding today! While Ajit’s revved-up mind was busy figuring out all this, his father had picked up the sketchbook.

Ajit held the edge of the table to steady himself. This was going to be one of those days.

“You made all these?” His father asked.
Isn’t it obvious? It’s my sketchbook, isn’t it? Ajit thought.
“Yes, Father,” he said.
“You think that these scribblings would get you a job?”
“…
“You think that I am spending on your education, so that you could become a painter?”
“…
“How many marks did you get in Math last year?”
“…
“How many? I am asking you a question. Answer it.”
“45,” quaked Ajit.
“45. 45 out of 100! How you’ll ever make it into Engineering is beyond me.”

“Tell me. How will you ever become an engineer, if you go on neglecting Math for these…these…” his father struggled to find the right word.
“Drawings?” Ajit couldn’t stop himself from supplying the word, but regretting it immediately after.
“Drawings. Yes. You are good at making these – and this skill will help you a lot when you study engineering. These tractors, these jeeps, these pumps…” he continued as he flipped through Ajit’s sketchbook, while Ajit waited for the tirade to end.

It ended, as always, when his mother intervened. Oh, how he loved her. She was the only one in the whole family, who truly supported his love for drawing – but even she fretted about his future. If only he could prove them wrong.

Later that evening, as Ajit sat at his table near the window, absently trying to resolve those improper fractions into proper fractions, random pieces of conversation floated in from his parents’ bedroom.

“He takes after you…all these feminine habits.”
“He takes after both of us.”
“I never got 45 in Math.”
“But he’s as stubborn as you are.”
“I am telling you…he’s got this stupid thing for drawing! I am telling you, I don’t want him writing letters to the black sheep of our family.”
“I don’t think he writes to him.”
“I don’t know. Who knows anything about what that boy does? You have to ask him.”

Ajit turned his attention to his notebook. Those fractions kept changing into cartoon characters. Why? Didn’t 2 look almost like a serpent and the number 8…he found himself doodling two meshing gears into the 8! The “black sheep” of the family. That had to be his uncle Abu Abraham. He worked for this American Publication called the Guardian, but he was shortly returning to India. Abu’s atheism and the way he thumbed his nose at traditions had ensured his symbolic ouster from the family.

His whole body tensed up in anticipation as he waited for them to leave. Ajit’s parents were going out for a Punjabi wedding, which meant that they’d not return until late in night. He could now look forward to many hours of unadulterated drawing pleasure.

Ajit Ninan’s Nonexistent Biography

I couldn’t find his biography, so I tried to glean whatever information I could from a variety of sources, especially from this post by Abhijit Bhaduri.

Here’s the sum total of my learning.

Ajit Ninan was born in Hyderabad in 1955. His parents were from Kerala though. Ajit studied at Hyderabad Public School where he manipulated his way into the library, so that he could go through the Cartoons in magazines. When he was young, he prefered to draw mechanical drawings, which I presume, must’ve made his father believe that his son wanted to become and engineer when he grew up. Fortunately Ninan wasn’t good at Math (I say fortunately, because had he been good at it, he’d have ended up becoming an engineer; which would mean that India would’ve lost one of its few great cartoonists,)so he studied political science, and became a political cartoonist.

Ninan published in first cartoon in Shankar’s Weekly, a magazine that his equally illustrious uncle Abu Abraham also drew for.

Ninan’s Inspirations include Mario Miranda, James Thurber, and Arnold Roth (he used to spend his precious out-of-class-in-the-library hours poring over the drawings of JT and AR.) Ajit Ninan worked with India Today as a Cartoonist and an Illustrator. He then moved to The Indian Express. He currently works with The Times of India as their Group Art Consultant.

Here are some interesting links for you to follow.

What this caricaturist has in common with the Great Ninan?

Believe it or not, I have the exact same lamp on my table that Ninan has on his. I had bought it 15 years ago. I wanted to buy another of the same kind, but failed 😦

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Freud’s Cartoon Analyzes Sherlock Holmes’ Psychology while Vladimort, Salman Khan, and the Psycho-Lady Rock and Roll in the Antechamber!

Every couple of months, I look at the searches that bring visitors to my blog, and being the unfeeling brute of a caricaturist that I am, I end up ridiculing the ones that I don’t understand. It’s the classic case of the fox that ended up ridiculing the grapes that she couldn’t reach. So, here I go…

vrrrrroooooom….

1. types of artists

I thought there were four-types – Starving, Dying, Dead, and Rich, and so I wrote about them. While some readers thought that my classification was dead-right, a few felt that I was one bitter artist with tons of venom inside me. Now if a caricaturist didn’t ridicule stuff, who would? President Obama or Chancellor Merkel? So if you are looking for The 4-Types of Artists and you have the ability to digest the venom that I’ve spewed in this book, go ahead, download it Free and wonder why you ever decided to play the high-risk game of becoming an artist.

The 4 Types of Artists - A Verbal Caricature eBook by Shafali the Caricaturist

Click to download in a format of your choice.

2. sherlock holmes psychological analysis

I am not sure I know what you are looking for. The psychological Analysis of Mr. Holmes himself, or the methods of psychological analysis employed by Mr. Holmes. I can help you with the first, but not with the second. I think Mr. Holmes was an artist with a scientific mind, quite like his creator. (Dr. Arthur Conan Doyle was a writer who was a doctor.) Perhaps Dr. Doyle created Mr. Holmes with a missing corpus callosum and so his equally powerful brain-halves were always in sync. While his right brain made him intuitive, creative, and musical; his left brain made him logical and analytical. Together, his abilities and his idiosyncrasies transformed him into a social disaster.

But then you could’ve been looking for the psycho-analytical methods that Mr. Holmes used to solve his cases. If so, I’d recommend that you gave up the search. It isn’t easy to decipher crazy geniuses, especially of the fictional kind…and even when you succeed, you’ll not have Dr. Watson building real-life situations around your incredible talent and impeccable methods.

Mr. Holmes….

Detective Sherlock Holmes

3. vladimort cartoon

I think there’s a demand for a cross of Vlad the impaler and Voldemort (Oops! I named him – I named You Know Who! But wait…isn’t he dead already? I think he died in the seventh book of the Harry Potter Series. Oh God! I’ve lived in that world for so many years that I can’t bring myself to believe that Voldemort’s horcruxes were destroyed by forever-wronged yet forever-loved Harry Potter!)

Let me not meander. If you are a writer hoping to make it big one day, here’s the idea of the decade. There’s this villain who is as evil as they get (Vlad and Voldemort rolled into one) and there’s this sweet young guy or girl carrying the responsibility of ridding this world of evil. Once you are done writing and then done getting it to the agents, and then done getting agents to reading it, and then done with a publisher publishing it, and then done getting it famous – I promise to caricature your villain Vladimort and present him on this blog. In the meantime, I’ll stick with the heroes. Here’s young Mr. Potter for you 🙂

Caricature of the young Harry Potter

4. caricature of salman khan

Thanks for the reminder. I’ve been thinking of drawing Salman Khan’s caricature for the last two years, but I haven’t gotten around to actually making it. In these years, Salman Khan has been doing his best to make me dislike him. He’s called women younger than him “Aunty” (all because they don’t gym-out five-days a week as there lives don’t revolve around biceps, six-packs, and washboard stomachs,) and he has trashed Vivek Oberoi’s career (because his ex-girlfriend Aishwarya used Vivek as a bait)! I can understand “accidents” and “impulse-actions” but I can’t understand studied malice. So, Salman’s Caricature still appears at the bottom of this Caricaturist’s To-Do list.

5. caricature adam et satan

Interesting!
Dear Searcher, do you realize that you are looking for one guy and not two? Adam is Satan…and every once in a while Eve too is. Satan doesn’t live outside of us, nor does God. They live within us. God pulls us towards good and Satan towards evil. When Satan begins to dominate Adam, you get a James Holmes, an Adam Lanza,  a Ted Bundy…and of course, an Adolf Hitler!

Adolf Hitler, Nazi Dictator, German Dicator, Perpetrator of the Holocaust - Satan!

6. sigmund freud cartoon dreams

Sigmund Freud’s Cartoon must definitely dream for if it didn’t, how would Freud go about analyzing those dreams. Freud’s caricature is one of my favorites. Check it out here.

Cartoon, Caricature, Drawing, Portrait, Sketch of Sigmund Freud the man who gave us the Oedipus complex and the freudian slip.

I know what you are thinking.

7. rock and roll cartoons

I love these, and thank you for searching 🙂

Icon Caricature Peter Criss.Icon Caricature Sammy Hagar

Icon Keith Richards caricature

8. viking caricatures

Thanks for the idea. I’ll make one 🙂

9. learn to caricature like Mario Miranda

Don’t. Don’t learn to caricature like anyone. Learn to caricature and develop your own style and methods. Study the methods employed by the Greats, but don’t caricature like they did. Why? Well, for two simple reasons. 1. You’ll deviate from the way you draw and paint – you’ll change your natural style and end up with a contrived style…and be assured – contrived styles look contrived – they never look natural. 2. People will look at your work and see the reflection of Mario Miranda’s work or Ajit Ninan’s or even Uderzo’s!

So, learn to caricature. Period. 🙂

Here are the caricatures of Mario Miranda and Ajit Ninan, caricatured like Shafali 🙂

Mario Miranda (1926 - 2011) with his characters.

Mario Miranda (1926 – 2011) with his characters.

Caricature, Cartoon, Portrait, Sketch, or Drawing of Ajit Ninan, the Great Indian Cartoonist (Times of India.)

10. psycho lady cartoon

Check out my avatar 🙂

11. cute husband with nagging wife

Oh yeah! Cute Husband with Nagging Wife! This search smacks of chauvinism, it reeks of gender-bias, it…it…it makes me gnash my teeth and sharpen my claws; it makes me want to sketch a cute wife and a nagging husband – just to spite every chauvinist out there!

12. titanic merkel

She is indeed the Titanic Merkel, isn’t she?

icon-caricature-cartoon-sketch-drawing-portrait-angela-merkel-german-chancellor-and-the-eurozone-crisis

She’s also Merkel the Dragon-slayer!

icon-caricature-cartoon-humor-euro-zone-crisis-angela-merkel-francois-hollande-merkande-merkelande

13. one direction caricature

???
I am sure this has a deep meaning. I just don’t know what. Let me try.

  • It could a coded love-message sent to me by my long-lost college sweetheart.

No?!

  • It could be a caricature of a person looking for directions.

No?!

It could be…
OK. I give up. I’ll stay with the love-message interpretation, then. Now let me check if I’m Mensa Material.

14. shafali.wordpress.com/shafali’s caricatures/evolution of a caricaturist!

Thanks folks. You were looking for my caricatures and you reached the right place. You’ve been my top-searchers for the last quarter and I really, truly appreciate that my caricatures have been the objects of your attention.

I appreciate your visits. Keep visiting – even though I may pick your search term and caricature it 🙂

The Caricaturist belly-lands…Crash, boink, boink, boink, scrreeeeeech…ooof!

Dear Readers of Every-kind,

I am back from the past. Here’s what’s been happening since my return.

The Caricaturist’s Hit List Leaked – Causes Bad-blood!

Tom Cruise, and Leonardo DiCaprio weren’t there at the Time-Portal to welcome me home. In fact, I also didn’t see Demi Moore, Penelope Cruz, and Madonna among those who had gathered to welcome me to this timeline. I don’t blame them. I know that your love for me might make you angry at all these actors, I’d request you to exercise restraint. They have a valid reason to feel unhappy about my return – they have found out that they are on the Caricaturist’s Hit-list.

Before you ask my why I didn’t contract Pricewaterhouse-Coopers to keep the list secure, I must remind you that this Caricaturist is the first of The 4 Types of Artists, and that PwC’s price-tag was a tad higher than I was willing to shell out. Nevertheless, I am not concerned. Other than these four, everyone else who’s anyone was there with bouquets of roses (thorns included), boxes of candies, and of course with requests that I shouldn’t caricature them, if possible.

Anonymous Reader and Commentator Makes my Day with a Minus 5 Rating!

… with an Ultra-Caustic review of my Free eBook at Barnes and Noble’s Nook.
Phew! Never thought that I’d get a 2 Star on a book that 4 NON-anonymous readers gave me 5 Stars for! But then I understand that just the way some people who like to donate anonymously, some like to comment anonymously. I appreciate the witticism in the comment, which goes as follows:

“Forgot 5th type of artist…Really bad self-published ones. Don’t waste your time. -5* – By Anonymous”

Hey! Does it say “-5*”?!! *Minus 5 Star”??!!! Oh Boy! I hope that the book didn’t cause any sort of fatal injury to the reader. I mean how terrible the experience must have been! I wish my Zeta reader tons of luck for recuperation. Now, if you are strong enough to stomach the contents of my awful, awful, awful book, check it out here.

If you disagree with my sweet anonymous commentator, will you please make another comment with your persona identified?

I must also mention that this anonymous commentator had the distinction of being the first of his (or her) kind, and so I mention the comment here. All other anonymous comments shall be royally ignored as I tap into the last drops of royal blood in my veins.

On smashwords however this book along with its sister book “The 5Ps of Creativity”, appears on the first page of the highest rated Free books in the Entertainment category. Don’t believe it? Well, here’s the link:
http://www.smashwords.com/books/category/87/highlyrated/0/free/any

Thank you, dear readers, for putting it there.

In the meantime, I invite my blog-readers to share their experiences with anonymous comments. They say that happiness grows when shared…or was it that sorrow reduces…

And finally, I bring you…

The Toony Pretzels – Cartoons with a funny aftertaste!

Well…well! The cat’s out of the bag, the mouse is out of the trap, and the mystery of those missing blogging hours is solved!

I’ve re-discovered my lost love for cartooning, thanks to the Great Ajit Ninan. There’s a lot I need to learn…but then quite like any other artist, I can’t wait to post my cartoons…so don’t go away…I’ll be back after a short break 🙂

Caricature/Cartoon of Ajit Ninan – The Great Indian Cartoonist.

Presenting Ajit Ninan, the Indian Cartoonist who breaks all established standards of quality in cartooning.

Caricature, Cartoon, Portrait, Sketch, or Drawing of Ajit Ninan, the Great Indian Cartoonist (Times of India.)

I foraged the web to ferret out some information on Ajit Ninan, but returned empty-handed. I don’t know when he celebrates his birthday, I don’t really know a lot about his early life, and except for a few details, I know nothing about his professional life.

So what does the Caricaturist do when faced with a blank page?

She closes her eyes and lets her thoughts travel into the past, where she sees a young boy with a dimpled smile, who would become the Ajit Ninan whose drawings tell her that there are people who refuse to kill their skill – come what may.

Here’s the story of this little boy, who became one of the two Indian Cartoonists who’ve made me experience both pride and joy in equal measures.

The Caricaturist concocts a story:

Leave the Roses and Embrace the Thorns

He loved the afternoons. Hyderabadi afternoons were scathingly hot during this time of the year but the heat didn’t deter him from enjoying them. He’d walk back from school with his friends, feeling under the hot glare of the Sun on his brow, his arms, and his spindly legs only half covered by the shorts of his school uniform; but he always looked forward to the afternoons. They were his to do whatever his heart desired. Deep inside he felt that whatever he might end up doing all his life – these afternoons would remain etched in his memories forever.

This was one of those unforgettable afternoons. Ajit had returned from school, and after a quick snack of Idiyappam that his mother had made for him, he was now lying on his stomach, with his feet up in the air – letting the coolness of the marble floor seep into his body. His sketchbook lay open in front of him and propped upon his left elbow, he drew in it feverishly. He had wanted to finish the drawing of that toy car before his father arrived home from work. He looked over his shoulder to check the clock in the living room. It was past four already!

He returned to his drawing, and then drew away to look at the whole picture. What should he do with wheel? Should it be a little bigger? Would it look funnier if he made it bigger…a lot bigger than the other one?

Thoughts swirled about in his mind, blocking everything else…reducing the sounds around him to an unrecognizable medley – the slight hum of his mother’s voice in the kitchen, the distant din of the vendors in the street, even the creaking sound of the door opening…

So when he heard his name being called in his father’s loud but stern voice, Ajit almost jumped out of his skin. The drawing pencil shot out of his hand and landed under his table that was set near the window, and his sketchbook lay open on the floor – the proof of his being a wayward son.

“What are you doing?”
“Nothing, Father.”
“Doesn’t look like nothing to me,” his father took a step forward. Ajit shrunk away. He wished he had listened to his intuition, but then his father never came home early. What was different today? And then it clicked. His parents had to attend a wedding today! While Ajit’s revved-up mind was busy figuring out all this, his father had picked up the sketchbook.

Ajit held the edge of the table to steady himself. This was going to be one of those days.

“You made all these?” His father asked.
Isn’t it obvious? It’s my sketchbook, isn’t it? Ajit thought.
“Yes, Father,” he said.
“You think that these scribblings would get you a job?”
“…
“You think that I am spending on your education, so that you could become a painter?”
“…
“How many marks did you get in Math last year?”
“…
“How many? I am asking you a question. Answer it.”
“45,” quaked Ajit.
“45. 45 out of 100! How you’ll ever make it into Engineering is beyond me.”

“Tell me. How will you ever become an engineer, if you go on neglecting Math for these…these…” his father struggled to find the right word.
“Drawings?” Ajit couldn’t stop himself from supplying the word, but regretting it immediately after.
“Drawings. Yes. You are good at making these – and this skill will help you a lot when you study engineering. These tractors, these jeeps, these pumps…” he continued as he flipped through Ajit’s sketchbook, while Ajit waited for the tirade to end.

It ended, as always, when his mother intervened. Oh, how he loved her. She was the only one in the whole family, who truly supported his love for drawing – but even she fretted about his future. If only he could prove them wrong.

Later that evening, as Ajit sat at his table near the window, absently trying to resolve those improper fractions into proper fractions, random pieces of conversation floated in from his parents’ bedroom.

“He takes after you…all these feminine habits.”
“He takes after both of us.”
“I never got 45 in Math.”
“But he’s as stubborn as you are.”
“I am telling you…he’s got this stupid thing for drawing! I am telling you, I don’t want him writing letters to the black sheep of our family.”
“I don’t think he writes to him.”
“I don’t know. Who knows anything about what that boy does? You have to ask him.”

Ajit turned his attention to his notebook. Those fractions kept changing into cartoon characters. Why? Didn’t 2 look almost like a serpent and the number 8…he found himself doodling two meshing gears into the 8! The “black sheep” of the family. That had to be his uncle Abu Abraham. He worked for this American Publication called the Guardian, but he was shortly returning to India. Abu’s atheism and the way he thumbed his nose at traditions had ensured his symbolic ouster from the family.

His whole body tensed up in anticipation as he waited for them to leave. Ajit’s parents were going out for a Punjabi wedding, which meant that they’d not return until late in night. He could now look forward to many hours of unadulterated drawing pleasure.

Ajit Ninan’s Nonexistent Biography

I couldn’t find his biography, so I tried to glean whatever information I could from a variety of sources, especially from this post by Abhijit Bhaduri.

Here’s the sum total of my learning.

Ajit Ninan was born in Hyderabad in 1955. His parents were from Kerala though. Ajit studied at Hyderabad Public School where he manipulated his way into the library, so that he could go through the Cartoons in magazines. When he was young, he prefered to draw mechanical drawings, which I presume, must’ve made his father believe that his son wanted to become and engineer when he grew up. Fortunately Ninan wasn’t good at Math (I say fortunately, because had he been good at it, he’d have ended up becoming an engineer; which would mean that India would’ve lost one of its few great cartoonists,)so he studied political science, and became a political cartoonist.

Ninan published in first cartoon in Shankar’s Weekly, a magazine that his equally illustrious uncle Abu Abraham also drew for.

Ninan’s Inspirations include Mario Miranda, James Thurber, and Arnold Roth (he used to spend his precious out-of-class-in-the-library hours poring over the drawings of JT and AR.) Ajit Ninan worked with India Today as a Cartoonist and an Illustrator. He then moved to The Indian Express. He currently works with The Times of India as their Group Art Consultant.

Here are some interesting links for you to follow.

What this caricaturist has in common with the Great Ninan?

Believe it or not, I have the exact same lamp on my table that Ninan has on his. I had bought it 15 years ago. I wanted to buy another of the same kind, but failed 😦

Indian Cartoonists/Caricaturists – The Great Mario Miranda

Updated: 12:45 PM, December 11, 2011

———————————————————————————————————————————–
Just heard the news…The Great Cartoonist Mario Miranda passed away today.
He will remain an inspiration to many generations of Indian cartoonists and illustrators.
May he rest in peace.
(A Commemorative Caricature of Mario Miranda)
————————————————————————————————————————————

In this caricaturist’s list, there are two Indian cartoonists of note and one of these two is also a caricaturist. These two, and only these two artists make me look like a glazed-eye zombie when I look at their work. Only these two remind me that not everyone is willing to let go of the skill of drawing after finding a job. I have obviously not seen every Indian newspaper published in every Indian language, so there might be random lights of talent shining elsewhere too. But of whatever I have seen, these two have made me, the jaded and faded caricaturist, experience a strong need to write a couple of posts in their honor.

You already know that the first name on this short list, is Mario Miranda…the second is Ajit Ninan.

In this post, let me introduce you to the astonishing work of Mario Miranda.

Mario Miranda’s Cartoons and Illustrations:

Wait a minute. Let me find my artistic aptitude. It was lying at the edge of my table when I last saw it…it must be here somewhere. Oh…it’s here – on the floor! It must’ve somersaulted off the desk to avoid commenting on Mario’s work. I mean, how do you comment on a Master’s drawings?

I will keep my promise and tell you what I feel about those highly detailed, cleanly drawn, stylized cartoons – but before I do that, I’d like you to look at his work at the following links.

I first saw Mario’s cartoons in the Illustrated Weekly of India (In retrospect, I am glad that my dad loved that magazine or I’d have grown up an art-duffer.) I remember looking at his drawings again and again, because every time I looked at them, I’d see something new. If I were to list the top five things that I like in his drawings, they would be as follows:

  • Details (He draws crowds…literally. Most of his drawings would have people of all sorts thronging to get their share of limelight, and he draws those crowds as collections of individuals – everyone in his crowds has a personality and a story. You can see connections running between people, you just have to look long enough to find them.)
  • Confidence (His lines are so confident and steady – he can bend them to his will like no one else can. I don’t know if he does rough drafts, he probably does for the crowds – but something tells me that he doesn’t do an intermediary. He just leaps into drawing the final illustration. If I ever get an opportunity, I’ll ask him if I am right.)
  • Style (Mario has a style of his own. A cartoonist whose work you can recognize while standing 10 feet away from his illustration, is a rarity – not just in India, but in the world. His lines are usually curves, and his lines always end in a strong black dot.
  • Perfection (Mario Miranda’s work exemplifies perfection. You can’t find stuff that would make you think that there was no need for it to be there. You don’t look at his drawing and think, “Oh, that line’s going where it shouldn’t.)
  • Life (Mario Miranda is one cartoonist whose cartoons come alive through their interactions with one another. Even when they don’t talk, they communicate. There are always so many of them that you’ll always find someone to party with.)

And…how can I forget those unforgettable characters – Bundaldas – the Politician, Moonswami his toady, and Ms. Fonseca the buxom secretary. (I remember asking my father whether Ms. Fonseca’s dress was a uniform for secretaries!)

Mario Miranda’s Concise Biography:

Mario Joao Carlos do Rosario de Britto Miranda (yes – we are talking about just one man!) lives in Goa and in the hearts of all those people who’ve enjoyed his art. Miranda’s work was first noticed by his mom (naturally,) on the walls of their house (naturally, again.)

He drew a lot of whatever he saw around himself including dogs (a dog-lover? another reason for me to like him); but then as it happens with almost every young man in our country, he too was swayed by the Ambassador Car with the red revolving lights, and tried to become an IAS officer – but thankfully his inner calling screamed at him and pulled him away from that mundane pursuit. He ended up working in an ad-agency. I can realize how painful the ad-agency stint must’ve been for him, but then his inner calling was all tuned up and in fantastic shape, so it screamed at him again, and he found himself working for the Illustrated Weekly of India. The Times of India, which had not selected him earlier, rebounded to him after they saw his work in the Weekly, and soon he was working for them too.

(If you are wondering whether a screaming inner calling is grammatically and linguistically correct, I can’t help you. Instead, I’d advise that you read on…there’s a lot of good stuff coming up about Mario Miranda’s rise to the Cartooning Stardom.)

Mario Miranda spent about 5 years of his life in Europe. His stint in Europe helped his work find international recognition. His cartoons featured even in the MAD magazine. (Sigh! Those mad guys (Oops! I stand corrected – those MAD guys) don’t accept email submissions…gotta get my portfolio sent to them by snail-mail…and they say that due to the population problem, it could be months before they’d get to lay their eyes upon my caricatures. Their loss…right?)

Then of course, he returned to India – back to The Times of India and to another Indian legend of Cartooning,  R.K. Laxman, who he respected a lot.

In 1988 he was awarded a well-deserved Padma Shri and then again in 2002 a Padma Bhushan. Miranda’s solos have been organized in 22 countries! Wow! He still draws, but now he’s settled in Goa (the same house where he grew up…it must be a dream come true.)
(Sources: Wikipedia here.)
Read Mario Miranda’s interview by Romola Butalia here.
Also check out “Cartooning Not Funny: Mario Miranda” here.