10 Tips for Drawing Crowds in Caricature- and Cartoon-Illustrations.

Sometimes, a search-string catches your eye and brings back memories of an assignment that you did a while ago.

“Drawing Crowd Scenes” is the search-string that led to this post.

O’ dear searcher, I understand your confusion and your anxiety. If you’ve landed an assignment that requires you to draw a crowd and you’ve never done crowds before, your anxiety is natural. It happened to me last year. Most of my work comprises creating portraits and caricatures, and most political and business compositions don’t happen outdoors; so the requirement of drawing a scene with a cheering crowd made me somewhat anxious. I am sure I must’ve searched for drawing crowd scenes then…and most of what I saw in the resulting images was a slurry of heads and shoulders. I am a detail-oriented artist. I like my work to have nuances that make it more interesting with every viewing (or so I hope :)), so I didn’t want a nondescript crowd for the magazine spread I was doing. I wanted my crowd to have character and life.

Let me first share what I ended up painting:

Two-Page Spread painted for Talk Business & Politics Magazine (Issue Sept-Oct 2014.)

 

As you can see, the crowd here is composed of the spectators who have gathered to witness a jousting match between two political rivals. There interest in the match is a clear indication that they support one or the other candidate and this is why some have brought banners along. The excitement levels are fairly high here.  In medieval times jousting events were one of the few forms of entertainment available for families of the bourgeois – so I thought of including families in the event. A closeup will reveal this connection shortly.

Let us first look at the closeup of the bottom-left of the painting.

Closeup of the spectators on the left-side:

 

These are Mike Ross’s supporters, so they carry a banner of his name. They are excited about the match and fairly optimistic that their candidate will win. They are here for a picnic-match combo and hence the attire. Nothing much to see here, except the body language, the expression and the attire.

Closeup of the spectators in the middle:

Here, the spectators present a cross-section of society. Political illustrations must be politically-correct at times, and your publisher would usually draw the line for you. However, as an illustrator, you too must take some decisions. The crowd here cannot be “all men”, “all women”, “all white” and so on. The crowd should be inclusive. So you see different races represented here…The woman at the bottom left corner (in orange) actually has in infant in her arms (that’s why she’s sitting sideways), the man in yellow who is sitting on the grass as brought along his dog. To add some humor for those who revel in detail, a man is trying to climb over the heads of two guys (top-left) and in the process, incurring their wrath. Overall, the crowd is happy and excited, and comprises of individuals who have their own personalities, should someone decide to look.

Note that I could have added nondescript heads in the background, but I thought that it might take the attention away from the main crowd and so I used my artist’s license and did away with them – keeping the focus on the main crowd.

Closeup of the spectators at the right:

These spectators are quite like the spectators at the left. They round off the picture quite nicely, and also add an illusion of continuity beyond the left and right borders of the image.

Now, after one run, I feel that I can create crowds of all kinds – it’s a mammoth task, I admit, but once you are done with it, you get a strong sense of accomplishment too. But all that cool talk aside, it isn’t easy.

10 Tips for Drawing Crowds:

Here are a few pointers for the first-time crowd painter.

1. Decide upon the importance of the crowd. Is the crowd there to merely represent a locale and is distant from the actual action that you are illustrating? If so, you may have generic heads, hands, and shoulders without closing up enough to show their expressions. If your crowd is there to play a part in the composition, then expressions and faces become important.

2. Don’t make all the faces round/oval. People have different types of faces – long, squarish, pear-shaped, pentagonal…work in different face-shapes.

3. Work with different hair-styles and colors. They make people look different. Have some bald characters too (unless its a crowd of all kids/all women.) Don’t work too much on the details of the hair (you don’t have to capture all the lights falling on everyone’s head) – you can work with the outlines to show curly hair or a bald head.

4. Don’t make everyone look in the same direction. It’s humanly impossible for a hundred people to be looking in the same direction at the same time, even if they are watching an opera. Some look at others, others look at their finger-nails, a few look mesmerized…work with expressions. Remember that they are a crowd, so you don’t have to bring out every feature and paint the whole set of teeth, a couple of upward curves would make a smile, and if you fill the gap between the curves with white, you’ve got a laughing spectator.

5. Bring in different skin-tones – depending upon the region that you are illustrating. It also helps your drawings stay inclusive.

6. If your crowd is shown standing, work with different body-types. Some would be pot-bellied, others reed-thin; some would large, others really small. When you add these little details, your crowd comes to life.

7. For large crowds and gatherings, allow people to spill over the edges. It helps the illusion of continuity, thus making your crowd appear larger than it is.

8. Some artists gray out the crowds so that focus stays on the main artwork (the jousters in this case.) I think that the treatment works better in case of cartoon-illustrations. Caricature-illustrations (my kind) require a more realistic treatment of the crowd too, and graying them out completely doesn’t work. You may want to cool the tones of the crowd a little (if the crowds are in a distance.) I didn’t, because I like working with bright colors and I also thought that the size-difference between jousters and the people in the crowd will automatically result in a sense of distance.

9. If you really want to pack people in, draw more details on those in the front (and nearer to the foreground,) then reduce the details over a few rows (the rows must mix for a standing crowd, but for a crowd that’s watching a stage-show, they’d automatically be clearly defined.) Farther away, circles could replace the heads.

10. In the end, don’t begin drawing your crowds without researching the region for which you must draw the crowd. American crowds look different from Indian crowds, which look a lot different from mid-eastern or Japanese crowds.

 Happy Crowd-drawing 🙂

 

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Interactive Art Tutorials on Creating Cartoons are back!

Dear Readers,

Thanks for writing to me about your interest in the Interactive Art Tutorials. The links for the downloads weren’t working for the last one year or so, and I had been too busy with my illustration assignments to get the files in order. Finally, the tutorials are back. However, there’s bad news. I think I’ve lost the file for “Animated Faces.” I’ll try to locate the file, but if I am not able to, that tutorial will have to go. Instead, I promise to treat you with a “How to draw a Puppy” tutorial 🙂

So go ahead, check out the page – just don’t click the link for the Animated Faces Tutorial and everything should be fine.

If you’d like to hone your caricature drawing skills, perhaps you’d like to check out “The Evolution of a Caricaturist – How to Draw Caricatures“. The book is expected on the App Store in a couple of months, and if you sign-up using the form on the page, you’ll be sent a notification email when it becomes available for download.

Thanks 🙂

Draw to Smile!

– Shafali

Presenting Interactive Art Tutorials – How to Draw Cartoon Owls – Young and Old!

I’ll tell you all about the Interactive Art Tutorials, but only after you’ve answered the following questions truthfully.

Question 1: Can you hold a pencil?

1. Yes
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Question 2: Can you use the pencil to make a mark on a piece of paper?

1. Yes
2. No
3. May be

If you are the one who these fun-filled art tutorials have been waiting for, you must have answered both the questions with an emphatic “Yes.”

If your answer is anything other than a “Yes” to even one of the above questions, one or more of the following may be true.

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I have begun with the “How to Draw a Cartoon Owl” tutorials, and I plan to add a lot more How-to-draw lessons on creating human and animal cartoon characters.

I’ll continue adding new tutorials to the “Interactive Art Tutorials” page. So if you like the tutorials, bookmark the page, and come back for more.

Here are the owl tutorials. Just click the image to download them to your computer. They are FREE 🙂

1. How to Draw a Young Owl

(Click the Image to Download the zip file of the tutorial.)

An inexperienced young owl – “How to Draw a Cartoon Owl – Part I (The Fleeting Youth)

and of course,

2. How to Draw an Old Owl

(Click the Image to Download the zip file of the tutorial.)

An old wise owl – “How to Draw a Cartoon Owl – Part II (The Sensible Stability)

A Wise End-Note from a Wise Old Owl:

Though they are fun to read and experience, they still are tutorials – so before you begin, swap the popcorn for a sketchbook and a pencil.