Interactive Art Tutorials on Creating Cartoons are back!

Dear Readers,

Thanks for writing to me about your interest in the Interactive Art Tutorials. The links for the downloads weren’t working for the last one year or so, and I had been too busy with my illustration assignments to get the files in order. Finally, the tutorials are back. However, there’s bad news. I think I’ve lost the file for “Animated Faces.” I’ll try to locate the file, but if I am not able to, that tutorial will have to go. Instead, I promise to treat you with a “How to draw a Puppy” tutorial 🙂

So go ahead, check out the page – just don’t click the link for the Animated Faces Tutorial and everything should be fine.

If you’d like to hone your caricature drawing skills, perhaps you’d like to check out “The Evolution of a Caricaturist – How to Draw Caricatures“. The book is expected on the App Store in a couple of months, and if you sign-up using the form on the page, you’ll be sent a notification email when it becomes available for download.

Thanks 🙂

Draw to Smile!

– Shafali

Advertisement

How to Draw Expressions – Part II – Animated Faces make me Smile :)

Though in the previous tutorial “How to Draw Expressions – Part I – Raising Eyebrows” we understood the role that the eyebrows play in expressing emotions. As you must’ve realized, it was but a primer, because of course, if you want to create a wide range of expressions, you need to work with other facial features as well.

Here’s the second interactive art tutorial in the “How to Draw Expressions” series.

Of course, you know where you can find More Interactive Tutorials by Shafali, but just in case.

Draw to Smile!

How to Draw Expressions – Part I – Raised Eyebrows and Artistic Salvation!

A Famous Artist is made of Raised Eyebrows!

If you’ve got your eyes set on becoming an artist of international renown,  and you’ve never ever done anything that raised eyebrows, you are in trouble, my friend. Real artists, artists who make it big, are the ones who raise eyebrows. They are endowed with the ability to raise eyebrows…of others.

Here are some examples:

• Leonardo da Vinci: Raised eyebrows by digging up and stealing corpses.
• Vincent Van Gogh:  Raised eyebrows by chopping off his ear.
• Pablo Picasso: Raised eyebrows through the cubist rendition of his innumerable mistresses.
• Salvador Dali: Raised eyebrows by transforming himself into a piece of work.
• Hussain: Raised eyebrows by painting stuff that he wasn’t supposed to be painting at all.

So, have you raised any eyebrows yet?

The least we cartoonists can do is, raise the eyebrows of the characters that we draw. And why stop at raising them? Why not bend, rotate, twist, dip, curve, curl, or spike the eyebrows to change expressions?

Here’s an Interactive Art Tutorial to help you discover the extraordinary role that eyebrows play in helping your characters express their feelings.

Click the image below to download the first tutorial in the “How to Draw Expressions” series. Find more Interactive Art Tutorials here.

(Click the Image to Download the zip file of the tutorial.)

So bring out your sketchbook and roll up your sleeves. Let us express ourselves!

How to Draw the Caricature of Dr. Albert Einstein – the Greatest Scientist of the Twentieth Century

Dr. Albert Einstein’s caricature is among the easiest to draw. He has features that hanker for the caricaturist’s eyeballs. His hair, his nose, and his quirked-up eyebrows that push the skin of his forehead into those innumerable furrows and lines – all demand your attention. They leap out of his face and grab hold of your hand to make you draw them!

Why? I wonder.

Excellent. So his face isn’t like Jack Nicholson’s (with a signboard that says, “everything you see, you can caricature for 99 cents”,) nor is it like George Clooney’s (a treasure hunt in a Martian desert.) Einstein’s face is somewhere between that of these two. It tempts you to fetch your pencil and your drawing pad as the three prominent features in his face are really, madly prominent!

I discussed the folly of trying to caricature “everything” in the previous tutorial, “How to Draw the Caricature of Jack Nicholson – The Wolf.” Listening to my own advice (yes, unlike many, I trust my own advice,) I decided to exaggerate the following features.

• The Hair
• The forehead with one brow quirked-up
• The Nose

The first step in creating any drawing is to…begin, and so I began. When I draw faces, I draw the eyes first, and those eyes watch me draw. This can be an especially unnerving experience when the person watching you draw is Dr. Albert Einstein! I kept my cool, avoided his assessing glare, and continued to sketch. After drawing in the eyes, I moved to the nose, and then to the lips…his eyes continued to follow my pencil, everywhere.

After a while, I gave up, and looked straight into his eyes, and then I realized that there was more to Einstein than his face. I began to remember what I had read of his life. Einstein was known for his brain. He was thought to have been born with a bigger brain.

Lo and Behold! If the expression sounds archaic, please excuse me – for I am (archaic) too.

So…once again…

Lo and Behold! I decided to exaggerate the size of his forehead!

Here is how the caricature was created.

Caricaturing Einstein’s Eyes and Brows

Check out any picture of Einstein, he’s got a bemused look on his face. He seems to be looking at world and saying, “It can all be explained through the General Principle of Relativity.” So I pushed up his quirky eyebrow a tad more to exaggerate the look.

Caricaturing Einstein’s Nose

Einstein’s nose isn’t one of those razor-sharp, slice-n-dice kind of nose. It’s a soft, round, and bulbous nose – a little longer than the normal. All this makes the nose-bulb(?) look like it’s experiencing the full force of gravity!

(Dear Sir Isaac Newton, I hope that you and Dr. Einstein get along well in heaven, and both of you along with Dr. John Wheeler, use the quantum foam to stay in touch with the scientists of our time. I assure you, they need your help to clean up the BP Oil Spill Mess!)

Oh, the nose! As you can surmise, I wanted the nose to become longer, and its bulb to become more bulbous; so I pulled the lower anchor points out of the feature frame, until the nose overshot the lips. (To understand anchor points and feature frame, read “The Evolution of a Caricaturist“.)

Caricaturing Einstein’s Hair

Einstein’s hair is magnificent. It’s white, long, and fluffy (he used a shampoo that he invented himself – right?) I added the effect of the electric hair blower on the white, long, and fluffy, to make them more prominent.

I also fluffed up Einstein’s mustache and tweaked it a little at the ends:)

Caricaturing Einstein’s Forehead

Inspired by Dr. Einstein’s supervising eyes, I made his forehead and also his head, bigger. Remember that the head is almost hemispherical. I decided to exaggerate not the size of the hemisphere, but its shape! Look at the forehead closely and try to visualize the head – you’ll “see” that the shape tends to be a sphere more than a hemisphere.

Einstein’s forehead has a lot of prominent lines. I exaggerated the lines. Look at the right edge of the forehead – you can even see the folds. When your exaggeration moves out of the facial space (at the edges) it becomes stronger.

That was all I did – and Einstein’s caricature winked at me:) My job was done!

If you are interested in exploring the techniques involved in drawing caricatures further, I recommend the following:

• “How to Draw Caricatures – The Evolution of a Caricaturist”, a Free Online Book on Google Knol.
• “Tuto-tweets by @theCaricaturist

Have fun caricaturing:-) Spread the Smile!