This post discusses the how and why of cartooning the eye.
While this post presents the essence of Chapter 5, it stands alone and doesn’t directly draw upon your learning from the previous chapters, except in on place, where I’ve added a relevant link.
The four images that I am adding here are almost self-explanatory, so I am going to keep the text to a minimum.
Importance of the Cartoon Eye
Cartoon eyes?
Well, two dots should suffice, shouldn’t they?
Guess they should, if you know what to do with those dots, because if you really want to draw cool cartoons, you need to go beyond the stick-figures and cookie-faced smilies (unless of course your mind-space is dominated by the conceptualizer.)
But I am serious when I ask you to stretch, squeeze, and twist the two dots of the eyes to make your cartoon characters come alive. Eyes are by and far the most important feature on the face of any creature (animals and humans alike.) They express. Period.
Please ref to Chapter 5 – Fig 1 below, where I present my case.
The Uber-complex Structure of the Human Eye
The human eye is complex, and I am not talking about the internals of the eye. If I were talking about caricaturing the eye, I’d probably tell you stuff like “eye is spherical,” “the eyeball’s curvature is slightly different from that of the iris’…”, etc., but because cartooning requires that we simplify, why not begin by simplifying our learning, and focusing only on stuff that will impact our cartoons.
In the following image (Chapter 5 – fig: 2 for future reference,) you can see the simplistic structure of the human eye. It still is complex…but you don’t have to remember it all – just observe and move on.
Simplifying the Eye
Now let us start simplifying the structure of the eye. Note that the moment we sacrifice any of the 8 basic elements of the human eye, we arrive in the realm of cartooning. Let us see how we can simplify the eye by removing each of the elements, until we are left with just the dot. Also note how life continues to fade out of the eye as we keep reducing the elements.
The decision of simplicity vs. complexity has to be taken in view of our need to capture and transmit the cartoon character’s emotions through its expressions. Practically, concerns such as the actual size of the drawing, the number of characters in it, (perhaps even the effort you can spare for your cartooning assignment,) will influence your decision-making. The more complex you want your drawings to be, the more space you need to bring them to life.
The following figure (Chapter 5 – fig: 3) shows you a Cartoon look vs. Details graph that will help you understand the above rambles.
Note: The first statement refers to the definition of a Cartoon from Chapter 1 of the book.
Some Cartoon Eyes
Here are some cartoon eyes. In the second row these eyes are coupled with their respective brows. The brows and the eyes work as a couple and help us accentuate the expressions.
Chapter 5 has more on the eyes, so I am not concluding it here with a Chapter End-Note. I will soon making a couple of posts on how to cartoon the human face.
Shafali's Caricatures, Portraits, and Cartoons 