Everyone knows Bill Clinton. We know him for a multitude of reasons. Here are those engraved upon the tip of the iceberg.
- Being the President of The United States
- Having a super-cute smile and his boyish charm
- Being involved in an oval-office misadventure with a certain Monica Lewinsky
- Being the husband of Ms. Hillary Clinton
I think he is one of the most recognized American Presidents, with possibly just one exception (who else but President Barack Obama,) and trust me when I tell you that until a month ago, I had never caricatured him! Not even a sketch. I did paint his wife Ms. Hillary Clinton as someone who’d be contending the presidential elections of 2016 (yes, in a lucid moment of epiphany, I saw her in the race to the White House.)
Let me come to the point – and tell it to you straight. When I came to know that the Nov/Dec issue‘s cover and inner-spread would require Bill Clinton’s Caricatures, I was shocked to realize that this would be the first time I’d be caricaturing Mr. Clinton.
We discussed the idea and came up with a gardening metaphor that would capture how the Clinton Memorial Library has led to a lot of development in the surrounding area. You can see that in the spread, the left page shows Clinton planting the library in 2004, and then you see Clinton again, 10 years later feeling happy and proud as he surveys the development. Read the article here.
A Note for Caricaturists/Illustrators:
In 10 years, a person ages. Clinton had also faced certain health issues (in 2004/2005 he underwent surgeries,) which had made him lose a lot of his facial-fat. This is why the pre-2004 Clinton had to look clearly younger than the 2014 Clinton.
But even before I began ironing out the details, I hit a road-block. I like my caricatures to look cute and nice, and despite Clinton’s half-smile, he’s a not an easy guy to caricature. I actually felt glad that I wasn’t caricaturing when he was the President and I honestly don’t envy the caricaturists who were.
Caricaturing Bill Clinton’s face is a challenge, and in this case, ensuring that the age-difference is visible between the two, was an even more difficult task. I worked with the skin-tone, wrinkles (especially those around the eyes), chubbiness, and hair-volume to get the desired effect.
I’ve also been working on a few other projects (paintings as well as pen and ink drawings) and I’ll post about them soon 🙂 Meanwhile, if you are interesting in learning how to create caricatures, check out “Evolution of a Caricaturist” on Amazon.
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